Shows I Saw But Didn't Have Time to Write About... Until Now...

This has been a busy few months for me, not just with theatre, but with life. I started a new position which seems to be ever-evolving and that has taken up a lot of mental and physical space in my life; I am also working on a show (Waiting for the Parade - Walterdale Theatre - I am doing Props - it goes up sooooooon!) so that naturally has taken up time in my life; I have had a nice visit from my sister from Toronto; I remain active on the Walterdale Board; and I am still trying to occasionally read. Somewhere in all that, I have managed to see some shows AND NOT write about them... My reflections on these will be briefer than usual. 

Photo by Brianne Jang

Most recently, I saw A Chorus Line at MacEwan University. The show itself is not my favourite structurally, but I thought they did a really good job with it. I always forget how many of the songs I know! It's also nice to see this show done by people the right age (or close to it) who can also handle the dance. I felt the dancing was really strong (and it needs to be). Standout moments for me (besides the big dance numbers) were Ethan Bintu-Watt's vocals (he played Richie), a monologue from Don Raphael Figueroa (Paul) which made me cry, and the lovely trio who sing my favourite song from the show, At the Ballet (Layne Labbe, Harmony B, and Mana Middleton). 

Photo by Nanc Price

I also saw The Wizard of Oz at the Citadel. It was good and I think kids in particular will love it. I enjoyed the afternoon but having done the show myself many years ago, it was hard to wow me and I think they actually missed a few opportunities to do so. Yeah, yeah, I know, they fly people. That's cool. And really, it's not like there was anything wrong with the 'pieces' of the show, but I didn't feel a lot of chemistry between Dorothy and the 3 friends and that's the heart of it for me. They were all individually good, some stronger than others, but they didn't feel connected. My favourite parts were the ensemble numbers and I think the ensemble was outstanding. The costumes and the big group dance numbers were really what made the show for me. By the way, if you want to be the one that the lead jitterbug surprises in the audience, I can tell you the exact seat because I was sitting in it! ha ha ha! Anyhow, the rest of the audience was up on their feet, so it's quite possible I just had an off day. 

Photo by Nanc Price

Before that I took in Death of a Salesman at the Citadel. A classic that I have seen three times before. They did a solid job, but there were a couple actors were miscast (in my opinion) and the ending didn't really give me the punch that it usually does. It would, however, be hard to beat the production that the Citadel produced 15 odd years ago. I was a bit distracted by the staging with the alley of musical instruments and for a show that is long to begin with, adding length with a cinematic score didn't really serve the piece. But sometimes I was drawn to watch the instrumentalists instead of the action and I wasn't really sure why that choice was made other than it seemed like a cool thing to do. Also, by casting a person of colour as Charley, it really changed our perceptions of why Willy rejects his help. It makes it seem that Willy is racist, as opposed to it being about pride and failure. The moment is shifted dramatically and it greatly alters what playwright Arthur Miller likely intended. 

Please remember, these are just my ramblings and my personal reactions to these shows. I respect that others will have engage with the material in a very different way. I don't have to love everything I see and I'm cool with that. 

Unicorns and Tigers... A Zoological Start to the Theatre Season!

The Pink Unicorn by Elise Forier Edie - Northern Light Theatre
Directed by Trevor Schmidt and starring Patricia Zentilli

Brianne Jang BB Collective Photography

I saw this play 10 years ago at Northern Light Theatre and loved it. It has come back to me several times a year when things would happen in the world, or when I would encounter magical children as a teacher, or when I would read a certain book (This is How It's Always Is by Laurie Frankel). It's that kind of play. This production was just as good as the show I saw so long ago and hits as hard (or harder) because the rhetoric has gotten worse in recent years, so it feels even more necessary. As Trisha Lee, Zentilli leans into the flaws of her character and that searching that every parent does to make the right choice. She is luminous and questing and we feel for her as she struggles to do the right thing in a world she is completely unprepared for. At the core of the story is love. Love for a child no matter who they are, and trying to find the ways to show that love and support them even if it feels foreign and strange. It is a true testament to unconditional love of a parent for their child. It is also about Trisha recognizing her own relationship with judging people and working to overcome that. Once again, you recognize the small-town close-mindedness and the wacky misfit characters that populate it, as well as those that cannot bend to show love and acceptance because of being so invested in their judgment and their need to be "right". 

I loved the journey that director Schmidt took us on. It's pacing is fast, but slows for thought and reflection. Trisha moves more in this production and this pulls us is. I also really loved Schmidt's set design, so I wanted to give that a shout out. It's a humongous papercraft window box of a small town Texas field, set off by pink swirls. Simply beautiful and giving a frame to this touching story of mother and child. Whether you saw this before or not, I highly recommend. 

Tickets are $37.00 with Pay-What-You-Can and 2-For-1 performances and can be purchased here.  

The Life of Pi - The Citadel Theatre 
Based on the novel by Yann Martel; Adapted by Lolita Chakrabarti
Directed by Haysam Kadri

Photo Credit: Nanc Price

I've been really looking forward to seeing The Life of Pi at the Citadel Theatre. It is one of my favourite books and so many friends who saw it earlier in the run told me it was marvelous. It also has puppets that were created by a former student so I was especially invested! It did not disappoint. The creation of the world is magical - puppets tend to up the theatricality and magic of a show! But the colours or the world and the manipulation of all the animals is very well-done and you are simply immersed in Pi Patel's journey. From the zoo in  Pondicherry, to the tempest tossed cargo ship, to the lonely but crowded lifeboat, this production has managed to capture the feel and mood of those presented in the book. I re-read the book in the three days leading up to seeing the show so it was all present in my mind. I didn't mind the changes and I think leaving off the extra layer of story being told to the novelist was a strong choice for the play (we did not need another layer) instead bringing the hospital in Mexico in at the beginning and having Pi relate the story in a book-ended manner. I loved that I could hear actual lines that I had just read, but delivered in a way that was alive, honest and present. 

The cast as a whole is very committed to serving this story. No one has much down time as many of them switch from puppeteer to character and back. The flow is incredible. The anchor to it all is Davinder Malhi as Pi and he is simply wonderful. You feel his joy and despair as well as his anger and need to survive. It is resilience demonstrated masterfully onstage. His nemesis, Richard Parker, the Bengal Tiger he shares the lifeboat with, is a worthy scene partner to Pi. The puppet is gorgeous and wild and manipulated with strength and artistry by Braydon Dowler-Coltman and Troy Feldman. Kudos to them for making him come alive, and to Puppet Director Dayna Tietzen for all the puppet work. I really want some of those stunning flying fish just so I can make them flutter. 

It was one of the best shows I have seen at the Citadel in recent years. I highly recommend! 

Tickets for The Life of Pi are $40.00 - $147.00 and can be purchase here.  It looks like several nights have limited availability which can make ticket prices increase, so buying earlier rather than later is recommened. 

Busy Weekend! Theatre with Catalyst, The Varscona and The Citadel!

It was a busy weekend of theatre for me! Felt like old times! Three performances in three days!

On Friday, I took in The Invisible - Agents of Ungentlemanly Warfare presented by Catalyst Theatre at the Eva O. Howard Theatre at Victoria School for the Arts. This was the last professional show i saw before the great pause and much of what I reflected on then, still holds true. You can read my original review here. The show has had some cast changes, but they are still a phenomenal ensemble of actors with no weak links. It's a terrific piece of theatre that reveals stories of women during World War II - stories we don't often get to hear. As I said before, it is one of my favourites from the company and remains so! 

The Invisible runs to October 5th with tickets priced between $26.83-$51.83. You can purchase them here. 

On Saturday, I went to The Varscona Theatre Gala. It was a lovely night with a variety of performers (House of Hush Burlesque, Die-Nasty, Lindsey Walker, and the Jambo Brothers), terrific food, and a silent auction (yes I 'won' something!). It was hosted by Kendra Connor and Jason Hardwick and told us about what was coming up in the theatre this next season. We saw a scene from The Noon Witch which will be part of the Teatro Live! season and Die-Nasty improvised Waiting for Godot: The Musical. All in all a terrific night! If you missed it, and want to support The Varscona either by donating or buying tickets to their shows, you can check them out here.   

My theatre weekend wrapped up on Sunday afternoon with A Streetcar Named Desire at the Citadel Theatre. It is an excellently done production. I will admit, Streetcar is a favourite of mine. I was an ensemble member in a production about 25 years ago, and I have always loved Tennessee Williams' plays. As I mentioned, this production is very well executed. The entire cast is up to the task and Stanley (Stafford Perry) and Blanche (Lindsey Angell) are phenomenal anchors to the piece. I was also particularly impressed by Sheldon Elter as Mitch, who gave a real layered and thought-provoking performance. The show is about 3 hours long, but does not feel long. It moves along and keeps the audience engaged. It's not often that you get to see these classic pieces, and it is nice to see it done so well. They've added live music to the transitions to create the mood and feel of New Orleans in the 1950s. These are all excellently done, but I wondered about whether this was necessary. It's hard to say, because after the show, my companion's first comment was about how much she liked the music! It certainly showcased some tremendous talent!

A Streetcar Named Desire runs to October 13th. Tickets are priced between $40-$125.00 and can be purchased here. 

Four Shows in One Week! Am I a Madwoman?!?! From Northern Light Theatre to The Citadel to Walterdale Theatre to Jubilations Dinner Theatre - talk about a theatrical rollercoaster!

October is my birthday month, so it is fitting that I took in four shows this past week, starting on my actual birthday! Those who know me, know that theatre is the thing I love the most (outside my friends and family)! 

Photo Credit Brianne Jang

On my actual birthday I took in Opening Night of Northern Light Theatre's A Phoenix Too Frequent by Christopher Fry. The set-up features a young widow (Julia van Dam as Dynamene) and her servant (Ellen Chorley as Doto) dramatically mourning the mistress's recently deceased husband. It takes place in his tomb as they wait to die to join him. You begin to realize very quickly that it's not all serious business. Chorley is quite funny as the servant who's there for her mistress, but not quite as committed to the whole process and easily distracted. Enter a young and handsome Legionnaire (Brennan Campbell as Tegeus) who spotted the light from the tomb while on guard and came to check things out. He's handsome, Dynamene is also young and beautifully and suddenly the whole plan to join her husband in Hades gets reevaluated. It's a very unusual and sexy rom-com with laughs and twists and turns that lead to a satisfying ending! 

Tickets for A Phoenix Too Frequent are $38.85 and available here. There is also a PWYC on Sunday, October 15th and a 2for1 night on Tuesday, October 17th. The show runs to October 21st. 

Photo Credit: Nanc Price

The Next evening, I took in The Importance of Being Earnest at The Citadel Theatre. I'm very familiar with the show - perhaps one of the best comedies ever written - since i directed it years ago and have seen it elsewhere a couple of times. Everyone should take in the show, sometime in their life because it's so well written and so funny. The Citadel production has relocated the story to the 1950s, which works and provides beautiful stage pictures and costumes. Standouts in this production are Nadien Chu as Lady Bracknell, Amelia Sargisson as Gwendolyn Fairfax and Jeff Lillico as Jack Worthington (although, I kind of wished the two young men were switched - but that might have more to do with my vision of the roles). 

Tickets for The Importance of Being Earnest are $40-130 and are available here. It runs until Sunday, October 15th. 

Photo Credit: Scott Henderson, Henderson Images

After all that silliness, I switched it up next with Walterdale Theatre's production of All My Sons by Arthur Miller, directed by John Anderson. It was great to see this piece onstage. I have seen Miller's Death of a Salesmen several times, The Crucible twice and A View From the Bridge and I am admirer of his work. This play also has terrific characters and tackles important questions about social responsibility, honesty, and family loyalty. Inspired by a true story about faulty materials for aircrafts being provided to the military during WW II and taking place shortly after, it centers around the family of Joe Keller (Dave Wolkowski) who was implicated but then exonerated in the case. Joe's partner Steve Deever instead takes the fall for the crime. However, it is not in the factory or a courtroom that the story takes place, but the Keller backyard, where the Keller and Deever families spent many summers together. Steve’s daughter, Ann (Jasmine Hopfe), was all but engaged to Chris’s  brother, Larry, before Larry was killed in the war. Now she has returned from exile in New York, hoping to marry the besotted Chris (Franco Correa) instead. The Keller matriarch, Kate (Ursula Pattloch) refuses to accept that Larry is dead and believes he will one day return home and that Ann is still his girl. It's complicated. The first act of the Walterdale production sets up all the pieces for a second act where it will inevitably come crashing down. It ends with an emotional bang and the last 20 minutes had me sitting on the edge of my seat. Overall it's a fine production, with an outstanding performance by Correa, and I've had several people tell me they plan to go back for a second watch. 

All My Sons runs to October 21st and tickets are $25 and are available here. There is also a PWYC evening on Wednesday, October 18th. 

And finally, a message out of the blue from an old high school friend yesterday afternoon had me taking in Old Time Rock 'N Roll at Jubilations Dinner Theatre. The show was a fun little romp as told by an older man reminiscing about his high school days and his first real love through the late 50s into the 70s. The cast of 6 (plus a few extras) were great singers and dancers and they committed 150% to the hijinks required! I really enjoyed all the song choices, and while I'm not that old, I did know ALL THE SONGS from the way back! We also had a good meal and great servers (thanks Edna and crew) and a wonderful visit. I have been to Jubilations before and it's always a lot of fun. 

Old Time Rock 'N Roll runs to November 5th and tickets start at $75.95 (and include dinner) and are available here. 

#yegtheatre #yegarts #allmysons #phoenixtoofrequent

Prison Dancer at the Citadel - Always cool to see new works at a Regional Theatre

 

Photo Credit: Nanc Price

This week I caught Prison Dancer at the Citadel Theatre. It's a new work with Music and Lyrics by Romeo Candido, Book by Romeo Candido and Carmen De Jesus and Directed by Nina Lee Aquino. The Citadel was planning on doing this a couple of years ago but it was delayed by the shut-downs. Now it's up on their Shoctor stage and literally getting the audience up and dancing! I admit, when I first heard of the show I thought it was going to be in the smaller Rice Theatre, like other niche musicals have played (Gay Heritage Project, Craigslist Cantata, Bittergirl) so I was surprised to see it was on the much larger Shoctor. With the set and big dance numbers it made sense when I saw it. 

It's a fun show in many ways, but seeks gravitas with the fact that prison life (particularly in the Philippines) is not easy. It is fun, because the prisoners have to find a way to find joy in their otherwise bleak and sometimes violent lives. It is fun, as well, because the music is pop-infused and delivered by good voices along with enthusiastic and athletic dance moves! There are some really great voices in the cast, the standouts being Daren Dyhengco as Christian Serrano and Diana Del Rosario as Christian's girlfriend on the outside, Cherish. Their songs were my favourites, both their solos and their duet. Their story also had the most hope, which a prison story definitely needs. 

There were a few issues, it's clearly a new work, well on it's way, but hopefully this run in Edmonton will allow for a depending and strengthening of the script which lags a bit in places and is a little cliché in others. I also had issue with the sound balance, particularly in the first half of the show. Too often the band was too loud and I couldn't hear the vocalists.  When you throw in accents and very rapid lyrics, it made for a challenge in knowing what was being said. 

That being said, I was entertained and invested and it was fun to dance with a full house at the end of the show! There were a lot of younger audiences members who definitely were having a fabulous time form start to finish so I highly recommend for those of an age where you're still going out to dance AND for those who want to invest in new work, particularly new Canadian work. I can tell this show has a future and I will be pleased to say I saw it at the beginning!

Prison Dancer runs to May 28, 2023 at the Citadel Theatre. 

They range from $33-126.

Tickets can be purchased here.

Understudies... they get the job done! Clue at the Citadel Theatre and a return visit to Hamilton with Broadway Across Canada!

I had a terrific two-city theatre weekend! After seeing Hamilton in Edmonton earlier this month, I tried for and won lucky lottery tickets to see the show again in Calgary. This meant a quick road trip down south with Gibson on Saturday to catch the evening show and a quicker return home because I had plans to see Clue with my Mom at the Citadel theatre in Edmonton on Sunday afternoon! Road routes were carefully planned because of the Pope's visit and it's many road closures. My article title refers to Understudies and both these experiences speak to the power and incredible skill of understudies. 

First, Hamilton! It was so nice to see the show again and seeing it from the front row was amazing. It was such a treat to see the show up close. Gibson (due to his music background) was thrilled to be able to watch the conductor at certain points in the show. I loved the show when I saw it first but this second viewing proved to me that it is the kind of show you can see multiple times and still be engaged and thrilled. We were also pleased to see two different performers in key roles. Between the two shows we saw different Aaron Burrs (Donald Webber Jr. and Ellis C. Dawson III) and Angelica Schuylers (Marja Harmon and Charlotte Mary Wen). These four performers were all excellent and between Gibson and I we each had different favourites (I won't say who liked who better) but above-all we felt that it was so awesome to see the show with different casts, particularly casts of this caliber, as it made us engage with the show differently and appreciate it even more. I truly appreciate that with a show like this, which is so specific, that the actors were allowed to bring themselves into the roles and not merely recreate the well-known performances of the originators. Regardless, it makes me confident that you will see a terrific show regardless of who in this company is onstage on any given night. 

After arriving home on Sunday morning at 11:55 a.m. I quickly changed and picked up my Mom to take her to Clue at the Citadel Theatre. In the pre-show announcement we were informed that the actor playing Mr. Green was unable to perform and that the Assistant Director Corben Kushneryk would be filling in and that he might have to use a script on occasion. Well, it was a riot! It took me a few minute to get into it (probably because of the driving) but once all the players were assembled it took off with a bang! The show was well cast and director Nancy McAlear did a fabulous job keeping the hi-jinks high! The Set (Designer Scott Reid) is an amazing puzzle box and I was delighted by it! I have to mention the outstanding job done by Kushneryk! It's hard to believe that he was just filling in as he was incredible in a very physical role! It was clear to see during the bows that the rest of the audience agreed! It was also delightful to see John Ullyatt as Wadsworth as his was also a tremendously funny and physical role. But really the whole cast worked together so well - with precision looks and choreography. They were a well-oiled machine and it was so fun to laugh so much! I highly recommend checking out this show!

Clue runs at the Citadel in the Shoctor Theatre until August 7th. Tickets range from $30.00 to $123.00 and are available here.

Fun at the Citadel with 9 to 5!

 Last night, instead of watching the hockey game, we went to the Citadel Theatre to see 9 to 5! (It's okay, the Oilers won and are currently up 3-1 in the series so my going to the theatre did not affect that in any way.) I'd deliberately booked my tickets late in the run because of my show which had just closed on the weekend, but I wasn't going to miss this one! 

It was a fun show - very silly and reminiscent of the movie, as it should be - replete with the questionable clothing choices of the late seventies, wigs aplenty, and of course the iconic title song! It's a fun night out and you have until May 29th to catch it. Stand-outs for me include Juan Chioran as the despicable Mr. Hart. I hope we see him back out West for more shows at the Citadel because he is just so good! It would be nice to see him play a more likeable character, but his portrayal of the sexist and egotistical CEO was so much fun to watch! I also loved Kristin Johnston as the uptight and infatuated office spy, Roz. Her number Heart to Hart was a stand-out in the show - it was literally laugh-out-loud! The three leads, Sharon Crandell (Violet), Julia McClellan (Doralee) and Patricia Zentilli (Judy) are also well cast and anchor the show with terrific team-work and fine voices. 

Now, I will admit it's not my favourite musical on the page, but this production is well done and should entertain most audience goers. It's quick and bright and played well for laughs. I can't actually remember a single tune outside the title song, but when I heard them last night they were funny and lovely and I liked them. 

9 to 5 runs until May 29 in the Maclab Theatre
Tickets range from $68-$123
Purchase them Here

Photo Credit: Nanc Price
Featuring: Sharon Crandell, Patricia Zentilli and Julia McClellan 

Festive Theatre Offerings! What's Onstage in #yeg in December!

Seeing as it's opening night for the return of the Citadel's in-person A Christmas Carol, I thought I would highlight some of the shows that are available to Edmonton audiences this month. There are a few different things to entertain you and get you in the holiday mood! 

First is the aforementioned A Christmas Carol onstage in the Citadel's Maclab Theatre. It's a relatively new adaptation from Alberta playwright David van Belle set mid-century with Ted Dykstra playing the curmudgeon Scrooge. It features many local theatre favourites, with Julian Arnold as Marley and Patricia Zentilli as Emily (not Bob) Cratchit. It's filled with live performances of music from the era and shakes up the traditional story. Carol is a family favourite and is recommended for children 6+ to adults of all ages.  Remember to bring your donation for the Food Bank as this is an opportunity to give while you get a great night at the theatre! A Christmas Carol is onstage now until December 23rd and tickets range from $68.00 to $128.00 and can be purchased here. 

Also in December, Shumka is back onstage for three shows at the Northern Alberta Jubilee Auditorium, December 17 & 18, for Shumka's Nutcracker.  A luxurious Christmas performance loved by everyone, but Shumka's Nutcracker is also a true Edmonton production, created and performed by local artists. Featuring ballet, folk dance, and character dance, the show is a celebration of Tchaikovsky's beloved Christmas classic which blends the grace and lyrical nature of classical movement with the strength and power of Ukrainian character dance. Tickets are on sale now starting at $25 and can be purchased here.

Opening next week at Walterdale Theatre is 5@50 by Brad Fraser. This one is not for the kids. Billed as a raw and darkly comedic portrayal of turning fifty in contemporary society, and of the friendships we can’t live without. Acclaimed playwright and Edmonton native Brad Fraser (Kill Me Now, Love and Human Remains) wrote 5@50 for all the “excellent middle-aged actresses who were having trouble finding parts.” This production was slated to go onstage shortly after the shut down in March 2020 and was put on hold until now. It also marks the Edmonton and Albertan Premiere of the play! 5@50 runs from December 8-18, with tickets at $25.00 which can be purchased here. Please note: There is reduced capacity due to Covid and tickets must be purchased in advance. 

Another Edmonton favourite is also returning, Whizgiggling Productions' The Best Little Newfoundland Christmas Pageant... Ever! I've seen this show in previous incarnations and it is both hilarious and touching. Silliness abounds and it is terrific for kids! Trouble is on the horizon when the Herdmans show up for auditions for the annual Christmas Pageant, after all they are the "worst kids in the world". You can catch the show live onstage at the Backstage Theatre December 17-19 with tickets ranging from $24-$30 each. Tickets are also available for an online performance on December 22-23. You can purchase your tickets here. 

I hope that you will be able to catch one or more of these shows over the next month and that it helps you celebrate the season! 

Tentatively stepping back into the theatre space...

The great pause... that's what we are in, I guess, and for me and many of the people I know, the biggest shift has been the loss of live in-person theatre. For me this was huge because of the amount of shows I normally saw on a monthly/weekly basis. Even with my slowing over the last few years, the shift was noticeable. 

Prior to last night, the last show I saw was Girl in the Machine in March. I don't think I blogged about it because right afterwards everything shut down. I was due to see a show at Shadow Theatre and postponed going due to being tired (how I wish I hadn't done that). I was also mentoring a director at Walterdale and had sat in on some rehearsals just prior to it all stopping. I remember feeling at the time that this was just going to be a few months. With my work at Walterdale we had many conversations about the shows in rehearsal. One was 2 weeks from Opening, the New Works (6 one acts) had just been cast, and the July musical was set to have their first read-through. So many conversations. So many if-then plans (if we can open by this date, then we can still do the show; if we open by this date, then we can do it in concert; if we cancel by this date, then we don't lose the royalties...). At all stages those conversations were heart-breaking, challenging, The various teams were creative. Most of the New Works decided to record zoom readings of their brand new/in-development plays and we were able to share those with our membership on-line. The team for the musical also did a zoom first read-through which allowed them to celebrate the show that would-have-been and hopefully this allowed for some temporary closure for them. At this point we do not know when we will be able to do a musical again (and after reading about this community theatre production of Mamma Mia!, I think we are right to wait). At the Board level we have had many many many conversations about what opening might looks like. We struck a committee to develop a plan to make sure that when we do reopen we are safe for everyone, our members and our audiences. We are definitely erring on the side of extreme caution (we are well aware how many of our audience members fall into the high risk categories). I have said over and over "We do not need to be first!"

So that brings me to last night. Last night I went to a show, in a theatre, with live actors onstage and other people in the house. It was the Horizon Lab at the Citadel, with their first show Where are Your Stories? "You are so brave." said one friend on Facebook. It never once felt unsafe. Certainly if felt different. But compared to a trip to Safeway or Shoppers, it was so incredibly well managed. Clear, explicit directions on mask-wearing and controlled socially distanced seating. An almost religious-ceremony of baptizing our hands with sanitizer on our entry. Everyone in masks. Even the show is kept clean - with a technician sanitizing the deck and set pieces that may have been touched by actors in the previous scene. I did not feel it was bravery to go, because I never felt unsafe in the situation. 

It was so nice to be in the familiar space. To share in applause and laughter with a group of people. The zoom and other online performances have been nice, but there is something about that communion of a live audience. Even the familiar irritation at the audience member in front of my who kept looking at his phone was kind of cool, because the feeling was nostalgic (Ah! I remember this!).  

The show(s) were... interesting, thought-provoking, and generous. They were all very different as you might expect from the varied backgrounds of those involved. Some were more compelling than others. Some were better written than others, Some were better performed than others. Some I understood, and some were a bit confusing. Some were angry, some sad, and some joyful. So, all in all, it was a pretty good night for theatre. 

I hope that the future offers me more of these nights. I'm good with going slowly and safely. I'm just happy to be back in my church. 

Grabbing a Few Shows in the CCCCCOOOOLLLLDD of January... And looking forward to a warmer February!

It's tough on those theatre artists who present in January in Edmonton. Sometimes we get a mild winter and the weather doesn't affect the house size much, but when it's cold-cold-cold like it was in 2020, it can be tough to get people out of the house and into a theatre. I know it affected me a bit, but I still managed to catch a couple shows...

I took in Cost of Living earlier in January at the Citadel theatre. It closes today, so you won't be able to catch it (sorry...). It was a well-done show, if not what I expected. It told two stories - one about a PhD student with cerebral palsy and his new caregiver, and a woman who has suffered a devastating accident resulting in being confined to a wheelchair as a quadriplegic and her ex-husband who still loves her and comes to help care for her. The acting was excellent and all four artists gave compelling and complicated performances. It was also very cool to see Venom from The Guild (Teal Sherer) onstage in Edmonton (call me a fangirl!)! I was a little disappointed by the script, however, as it felt unfinished. It also seemed to imply that the story was more about the two able-bodied characters and how they were the more disenfranchised of the four characters, and my impression going in was that it was about all four equally. I know, it's probably just the sales messaging, but it left me going, "huh...?" Still, it was a very thought-provoking piece, and perhaps that 'huh' was what they wanted me to leave with. 

I was delighted to catch Everybody Loves Robbie at Northern Light Theatre this past month. It's closed as well, so I am terribly sorry you missed it. It was Sold Out for much of it's run and it was easy to see why. It was a delightful trip back to the high school drama class/club, told by two engaging actors (Richard Lee Hsi and Jayce MacKenzie) who both charmed the audience and broke our hearts. As a former drama kid AND high school drama teacher, I was so in love with this show. You might say I was in nostalgia overload. Ellen Chorley's script was brilliantly constructed and although it was full of highs and lows, it was truthful and engaging, supported by wonderful direction by Trevor Schmidt, who kept it flowing much in the way that high school tumbles by for a teenager. I actually hope they bring this show back. Every high school drama student (past and present) should see this show. 

Most recently (and you can still catch this one until February 9th) I saw Happy Birthday Baby J at Shadow Theatre. The story centers around a couple who are choosing to raise their child without a gender and they have invited a small group of friends and family to celebrate the child's 2nd birthday. At first it was a little challenging because I really didn't like the characters, but once I gave myself permission to laugh at them, I had a great time and I laughed A LOT. It's an interesting premise and playwright Nick Green has penned a clever script to explore the complicated world of wokeness. Gary and Louise (Chantel Perron and David Ley) feel rejected by their baby group because of their choice to raise the child without a gender, but it's really because they spend all their time Wokesplaining that no one can stand them. I've been thinking a lot about this one, and how much it says about what's wrong with 'people who think they know better than everyone else and also feel they have to tell them'. There's a cautionary tale in there, whatever you choose to do with regards to raising your own children. There's a lot more going on in the show beyond the question of gender, as it also throws in race, social media, relationships, and the complications of family and friendships. 

Anyhow, that was January... I'm looking forward to a warmer February with more shows. I already have 4 lined up for the next two weeks! I'll be back to tell you about those in a few... 

October Theatre Offerings - It's going to get busy!!!

Here's what's starting onstage in Edmonton in October. 


Silent Sky - Walterdale Theatre - October 2-12

The true story of 19th-century astronomer Henrietta Leavitt, Silent Sky explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications. Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and the Earth.


Open Invitation - Saint Maggie Productions - October 2-12

Becky is an exhausted mom and her husband Sebastian is a man trapped in a soul killing day job. It’s date night and they are going to attend a “snobby” dinner party at the home of one of Becky’s old show-choir friends. Some of the guests she’s known for 20 years, some she hasn’t seen since high school. Sebastian doesn’t want to go and is convinced that the dinner’s hosts are Swingers and just looking for a “hook-up”…and he’s going to prove it. Becky thinks he’s nuts and so they place a bet and hilarity ensues with each trying to win what it is they think they want most from the other.

High Tea - Firefly Theatre & Circus - October 6

Ever wondered what a true “High” Tea would look like? Join the company of Firefly Theatre and Circus as they dangle overhead serving steeps, champagne and sweets! An afternoon of multi-sensory delights, HIGH TEA guests will sip quality teas, nibble on scones and sweets, and enjoy traditional cucumber sandwiches — all while being entertained by Firefly’s talented servers as they dangle from the rafters.

Dead Centre of Town XII - Catch the Keys - October 10 - November 1

Some people lived here. Many people died here. Not everyone moved on…and those left behind are desperate to tell you their story. Edmonton’s only live-action thriller inspired by true history possesses Mellon Farm for an intimate and immersive theatrical retelling of some of Edmonton’s long-buried secrets. Secrets that can’t stay buried forever. Catch the Keys Productions presents Dead Centre of Town XII October 10 – November 1, 2019. Dead Centre of Town is NOT a haunted house, but it will haunt you long after you leave the Park.

Simone et le whole shebang - L'Uni Theatre - October 16-26

Simone has just been placed in a long-term care facility in Fort McMurray by her daughter Simone-Alice, who has been living in the city for the past 6 years. A québécoise actress in her sixties suffering from Alzheimer’s disease, Simone’s deteriorating condition has made her unable to care for herself. Jessy, an old acadian cowboy who dreamt of being a country singer, is in the same care facility. Though he still has his quick wit and his colourful vocabulary, he’s lost his mobility, his heart and his will to live. Both are haunted by what they’ve become. Somewhere between their egos and their fears, Simone, Jessy, and Simone-Alice must face their disappointing realities.

Fight Night - The Citadel Theatre - October 17-27

FIVE CONTENDERS.  FIVE ROUNDS. YOUR VOTE. Fight Night is an interactive production that examines how and why we make judgments about others, while asking whether the current political system really represents our choices.  

Baroness Bianka's Bloodsongs - Northern Light Theatre - October 18 - November 2

BARONESS BIANKA’S BLOODSONGS tackles the issue of addiction head-on through the revelations of a quirky Bulgarian Baroness who has unquenchable, unspeakable yearnings. A black comedy with a blood-red heart, the show explores life with an unusual addiction and the battle to overcome it. A wicked one woman cabaret about a spooky character with a fetish for blood.

Rigoletto - Edmonton Opera - October 19-25

As the infamous court jester, Rigoletto earns a living by making fun of people’s misery. So when his enemies seek revenge, they take the one thing Rigoletto values most: his daughter Gilda. What follows is a harrowing tale of greed, corruption, and violence that ultimately turns Rigoletto’s own fate into a cruel joke.

The Roomate - Shadow Theatre - October 23 - November 10

Sharon is a recent divorcee in her mid-fifties, and needs a roommate to share her unassuming Iowa home. Robyn, also in her fifties, needs a place to hide and a chance to start over. As she uncovers Robyn's secrets Sharon discovers in herself a depp seated desire to transform her own life. A dark comedy about what it takes to re-route your life - and what happens when the wheels come off. 


The Ballad of Peachtree Rose - WWPT - October 30- November 10

Max works for one of Canada's most notorious criminal organizations; Peach is a street kid trying to make a buck. A chance encounter entangles their lives indefinitely. From one of Canada’s best emerging writers comes a thriller that forces audiences to ask: “What is Justice?”

Bringing The Color Purple to the Stage with Joyous Song and Truthful Storytelling!

Sometimes when you are very excited for something, it fails to live up to your expectations. This is NOT the case with The Color Purple currently running at the Citadel Theatre. As I wrote earlier, I loved Alice Walker's novel and I am happy to report that the production is everything and more than I could have hoped for. From the first few seconds of the show, when Celie (Tara Jackson) and Nettie (Allison Edwards-Crewe) sing a child's rhyme together, you know that musically you are going to be treated to something magnificent. This grows as the full cast joins them onstage and the world of Celie is created. The power and beauty of this cast in their vocals is majestic. It's the kind of music sung so well that it makes you want to lift from your seat. The Citadel has done an incredible job of bringing together this cast which has no weak links, each voice expressive, joyful and strong. Kudos to the cast and to Music Director Floydd Ricketts for creating such amazing sound.

In terms of the story, this production ably rises to the challenge of telling that too. The iconic characters from the novel are portrayed with respect and honesty. At the centre of it, as Celie, Tara Jackson is a marvel. Not only does she possess an incredible vocal instrument, able to handle the softness and strength of the character, but her emotionally journey is crafted and layered. On more than one moment did she bring me to tears, and her version of I'm Here made me want to leap from my seat with cheers. As Shug Avery, Karen Burthwright is a sassy foil to the shy and quiet Celie. She is everything Shug should be - sexy, worldly, and a brilliant performer. You know why everyone wants to be with Shug. Her Push Da Button is a hot, joyous number which celebrates sex where everyone has a good time.

There are so many things I loved about this show. I loved the hilarious Church Ladies (Masini McDermott, Maiko Munroe, and Sarah Nairne) whose harmonies were as tight as their coming timing. It was delightful to watch Sophia and Harpo's (Janelle Cooper and Andrew Broderick) irresistible attraction. It was heart-breaking to watch Sophia's journey, and Cooper is simply terrific - equally able to play the strong moments as she is the weaker moments. As Mister, Ryan Allen has the difficult job of playing the villain in the first act and redeeming himself in the second act. I think he does so, yet does so without letting himself off easy. His Mister Song reminds us that people are made the way they are through the circumstances of their lives, and his desire to change what he has become is palpable. I loved that the characters were allowed to have shades of grey.

Overall, the show flows beautifully. Director Kimberly Rampersad has done a masterful job of keeping this epic story moving from moment to moment, making sure that the emotion is real and earned. Her choreography is fun, sexy and organic, helping to move the action along and never feeling contrived. (Interesting side-note: On the night I saw it, the show had to be stopped about 10 minutes before intermission because of a medical emergency in the audience. Once the emergency was dealt with, the show picked up from a few moments before it had to be stopped, and this interruption did not affect the flow or the audience's connection to the story. It was as though we were reading the novel and set the book down and picked it back up. We were back in as though nothing had happened. Now that's the sign of a well done show!).

If you can't tell... I loved the show. Whether you've read the book or seen the movie or not, I think that it's a wonderful story that will grab you. The music alone is enough to recommend it, you are unlikely to hear an ensemble that sings so well together this season, but it's also so much more than that.

The Color Purple runs until October 13, 2019 at the Citadel Theatre. Click here for tickets.

Photo Credit: Ian Jackson; EPIC Photography

All Rested Up From Fringe... So It's Time For the 2019-2020 Theatre Season to Start!

I'll be kicking off my 2019-2020 Theatre Season next week starting on Tuesday night, when I take in The Color Purple at the Citadel Theatre. It's the musical adaptation of Alice Walker's 1982 novel of the same name which was adapted into a film by Steven Spielberg in 1985 starring Whoopi Goldberg, Danny Glover, Margaret Avery and Oprah Winfrey. I'm excited to see this, as I am a great fan of the book, having read it shortly after it was published and similarly loved the movie. As I am a musical theatre fan, I think I will have hit the trifecta! There are a lot of new-to-Edmonton artists involved in the production, but it also stars Tara Jackson as Celie. Jackson was previously seen in Edmonton at the Citadel in Hadestown, Bittergirl: The Musical and Mamma Mia! and at the Mayfield in Jesus Christ Superstar. She's one of my husband and my favourite local musical theatre performers and I can't wait to see her onstage in this show. I'm seeing the show early in the run, because I seriously and thinking it will be one that I want to see again! Right now, my only issue is that I have a really hard time with the American spelling of color... but that's just habit!

The Color Purple runs from September 21 to October 13 in the Shoctor Theatre. You can purchase tickets here. 

I'll also be taking in the final offering of the season from Teatro la Quindicina next week. Vidalia by Stewart Lemoine opens on Friday, September 27th at the Varscona Theatre. I'm excited to see the fabulous Belinda Cornish onstage with the always funny Andrew MacDonald-Smith as they lead the cast in this show billed as a contemporary spin on the classic screwball form. There's also a promise of 3 identical briefcases, haberdashery, and industrial espionage, which suggests intrigue, oh and there's onions!

Vidalia runs from September 27 to October 12 at the Varscona Theatre. You can purchase tickets here.

Also this month - The Play the Fool Festival - running from Sept 26-29. Play the Fool is Edmonton’s festival of clown-theatre and physical comedy. Held in historic Old Strathcona at the ATB Financial Arts Barns, the home of The Edmonton International Fringe Theatre Festival. Now entering their fourth year, this festival brings together seasoned and emerging local, national, and international clown and physical theatre artists for four days of performances that embrace risk, exploration, and play. Click here for the line-up and to find out how to get tickets to this laugh-filled festival. 

If you like Rock and Roll, especially the classics, you can also check out Million Dollar Quartet now playing at the Mayfield Dinner Theatre. It runs until October 27. It's a great show with so many songs you love from Elvis, Johnny Cash, Jerry Lee Lewis and Carl Perkins.  You'd also get to have the always delicious buffet while you watch the show! Click here for tickets. 


It's a great looking September. I'm also excited about October, but I will get to that later! One month at a time!

A Return to Jane Austen for a Holiday Celebration! Miss Bennet: Christmas at Pemberley at the Citadel

Although Christmas is still a month away, this week I felt it creeping closer and closer. Part of that was the switch-over to Christmas music on the radio station my son prefers, and part of it was taking in Miss Bennet: Christmas at Pemberley at the Citadel Theatre. For me, it was particularly fun to return to the land of Jane Austen, having immersed myself in the world of the Regency Era as part of my role as Assistant Director of Sense and Sensibility two seasons ago. The show, although lighter and funnier than Pride and Prejudice, has much to recommend itself to Austen aficionados. You will re-meet four of the five Bennet sisters, Mr. Darcy, and Mr. Bingley. For the most part, they are recognizable from the novel, but changes to their lives in the years since allow for new discoveries. 

The show centers on the middle sister, Miss Mary Bennet, played with a prickly charm and much wit by Toronto-based Mikaela Davies. Mary is the forgotten middle sister, left to her books and piano as her other sisters have gone on to marriage and other adventures. She clearly longs for something more, but understands her position in the world leaves her few options. She has come to Pemberley to spend Christmas with her sisters and their husbands and to have a little escape from her life spent with her aging parents. Enter Lord Arthur de Bourgh (Umed Amin), Mr. Darcy's cousin, who shares Mary's love for books and knowledge as well as her social awkwardness. The two seemed perfectly matched, until... Well, until a rival for Arthur's affections shows up in the form of Anne de Bourgh (the hilarious Gianna Vacirca). As the rules of Austen's society interfere with the budding romance, the laughter ensues as the romantic entanglements are sorted out. 

Davies and Amin are delightful as the central couple. Their awkwardness is countered by their intelligence and they share a lovely chemistry. As Mr. Darcy, local favourite Mathew Hulshof is perfectly cast. He looks and sounds the part and he's layered in a sensitivity that no doubt has developed as Mr. Darcy has gotten used to being a part of the Bennet family. Cameron Kneteman is wonderfully charming as Charles Bingley, and he made me remember how much I enjoyed the character in the novel. The youngest Bennet sister in attendance, Lydia (Emma Houghton), was suitably and humorously flighty. It was interesting to see the two older sisters, Lizzie (Allison Edwards-Crewe) and Jane (Emma Laishram), take a back seat to Mary in this story. I'm not sure if it was the writing in the script or the performance of Edwards-Crewe that made Lizzie seem more unkind to Mary than I remembered her being. I actually kind of wished the two older sisters were played by the opposite actresses - but that might have more to do with my personal impressions of the source novel and the characters and I am sure that there are many who disagree. I think layered in there is a presumption of what other people want in their lives, as the two older sisters, in their contented marriages, assume that Mary is perfectly happy with her life of books and music and give little thought to her wanting anything more. Fortunately, despite the interventions of Anne de Bourgh, the sisters and their husbands manage to redirect romance in the right direction. 

Director Nancy McAlear and her cast and design team have done a wonderful job telling this story. It's the perfect way for any Austen fan to welcome in the Christmas season!

Miss Bennet: Christmas at Pemberley runs to December 9th. Click here for more information and for tickets. 

Photo Credit: EPIC Photography

Going Undercover with Spontaneous Theatre at the Citadel...

It's really fun watching a murder mystery when even the actors onstage don't know how it will be solved... solving it is almost entirely up to an audience member turned Rookie Detective (on our night - Jason, a trainer at a tech company), who is brought into the story and who literally guides the investigation.

The first act is primarily the set-up. The cast (six gifted improvisers playing multiple roles) meet for a private art auction (the rookie detective is sent in 'undercover' for police business) in a remote country home. There are obvious tensions between certain characters, conversations to be overheard, snooping to be done, and clues discovered, and then... there's a theft and a murder! The second act is where the rookie detective must lead the investigation - they choose who to question, which rooms to explore, what questions to ask and inevitably reveal 'who done it'.

For the rest of the audience, it's like watching a person solve an escape room, and even when they miss important clues it's hilariously fascinating. A smugness when you see or notice something they didn't and lots of laughs when they do something totally unexpected and you watch as the group of six gifted improvisers literally make it up on the spot to deal with what's thrown at them.

Now, our guy didn't get it right - he got part of it, but not all of it - but it was sure fun watching him and the cast. My husband was very happy, because apparently he did solve it (he saw a lot more than I did), and even though he 'knows what happened', he's heading back with our son this weekend to watch it again with a new rookie detective. He's hoping he'll get to see some of the scenes we missed out on the first time and he wants to see if our son can solve it.

Undercover runs to April 29 at the Citadel Theatre. Click here for tickets.