Total Pageviews

Tuesday, May 17, 2016

A Weekend of Song and Dance! City of Angels, West Side Story (AGAIN), and Hair!

This past weekend, we took in not one, nor two, but THREE musicals all within the span of about 27 hours! We also squeezed in a meeting with a contractor and piano lessons so we really maximized our time!

We started on Friday with ELOPE's production of City of Angels.  This is one of my all-time favourite shows to sing and I was very pleased with the production I saw.  It's a show that suggests a huge proscenium with flys and trucks and revolves as it switches from real life to the story of film so I was curious how it would play on the Faculte St. Jean stage. They did marvelous job making it all work. Kudos to the cast for handling the challenging music, particularly the super tight Angel City Four and the stellar leads - Jason Hlus, Trevor J, Monica Roberts, Andrea Graham, Erin Vandermolen-Pater and James Toupin. It was great to see the show on stage again (I haven't seen it in over 20 years) and have it live up to my memory.

On Saturday afternoon, I finally made my way back for a second viewing of West Side Story at the Citadel.  I had seen it Opening Night and was blown away by it! The Singing! The Dancing! The Momentum! I cried twice and spent a good deal of the show in awe of the talent onstage.  Pamela Gordon as Anita is literally as-good-as-it-gets! Eva Tavares as Maria is both fierce and delicate with a voice that cannot be more perfect.  George Krissa as Tony has a charm that emits like a strobe light from the stage. The whole cast is incredible particularly when they dance.  The direction and choreography is flawless. Choreographer Laura Krewski has worked some true stage magic that makes you think this show should ALWAYS be done on a thrust stage, and director Bob Baker has amped the testosterone levels so that it's terrible end feels tragically inevitable. Going again on Saturday confirmed for me how fabulous the show is.  I cried, again, but in totally different places. And oh, to her Pamela Gordon and Eva Tavares sing together in their heart-breaking duet... just fabulous! Only one week left for this one as it closes on May 22nd.  You can get tickets by calling 780.425.1820 or going online to

Finally, we grabbed a bite to eat and settled in at The Mayfield for a groovy evening with Hair. The show was a lot of fun with great voices delivering the catchy, rambunctious songs of the hippie-love-in show. I am not as familiar with the show, but found the ensemble cast quite entertaining. I really liked the comic character bits, especially those portrayed by Sheldon Elter and Amber Bissonette. The show runs until June 12th at The Mayfield and you can get tickets here. 

Sunday, May 15, 2016

A Series of Anti-Heroes...

Sometimes theatre lifts you up and makes you leave inspired and joyful... sometimes the people on the stage are a cautionary tale about what 'not to do'... I had a little streak of theatre that was more the latter.  So odd that it all clumped together.

The first was The Supine Cobbler presented by Maggie Tree. Excellent direction and acting, a terrific soundscape, and a really cool concept allowed for some laughter as the Western trope was played to the max in the most unusual of circumstances - the waiting room of an abortion clinic. I would have liked to have seen the concept applied to a more compelling situation as there never really seemed any obstacles to the outcome and the whole play seemed to serve more as public therapy. I left no more or less shaken in my belief that legal, safe abortions must happen but that they are not something to be rejoiced about. And there were attitudes expressed by the characters that bothered me: a trio of women laughing gleefully about 'not becoming a mother' (one twice in one year); and a defiant response to the question about using birth control, "sometimes it just isn't convenient". I personally don't judge those who've had to make that choice as I presume they have their reasons and that's good enough for me, but this play kind of made me want to...

Then I saw Gordon at Theatre Network.  It's in the tradition of those films where everyone is bleeding at the end of the film and the survival of anyone past the credits is questionable.  Filled with a quartet of unlikable people it was hard to really connect.  Again, the production itself hit all the markers - well cast and well acted with great gory effects in a perfectly constructed half-derelict kitchen. The soundscape seemed off as it wanted us to prepare for something funnier than the play actually was. I will admit, I had trouble with the script.  Lots of short cut scenes - written more like a movie than a play - which chopped up the momentum. A play like this needs to feel like an impending train-wreck and although it ends in a terrible place, complete with blood and an uncertain future, it never quite earned it. Too much lag, and not enough charm written into the characters leaving the actors with little to work with outside the ugly. I think if you are into that kind of Quentin Tarantino aesthetic, this would totally appeal to you - but I needed a little more.

Finally, there was Wish at Northern Light Theatre. This one is more complicated.  Certain aspects of it were fascinating and again, like the other two shows, it was very well executed. Up to about 2/3 of the way I was completely drawn in - I liked the story of the child of deaf parents finding teaching sign to be his calling and that leading him to teaching a gorilla to sign and developing a real connection with the animal.  It's tied up in animal rights and the concept of informed consent and it started several interesting thought progressions.  There are many layers. It takes a truly disturbing turn, however, when the relationship between the man and the gorilla becomes physical. I couldn't handle it. I shut down in the audience. It felt like pedophilia. I could find no justification.  I might have been okay with it if there was something in the play's ending that supported my feelings, but I might have been too shut down at that point to recognize it. There were more troubling things said in the talk-back but as they lived outside the play, I won't comment on what they were. However, I do know that those things said made it even harder for me to appreciate the show. It's hard for me, because there were so many well done things in this show: brilliant physicalization of the gorilla by Ainsley Hilliard; a complicated look at communication; committed acting and a beautiful looking production.

Theatre is so individual and each show does something different. They can't all make you feel happy, I get that. I have thought about all those these shows and the issues they raised several times since seeing them, so perhaps they did accomplish their goals...