The Decade in Theatre... First half anyhow...
I did a lot of theatre in the last 10 years. The most significant shift was that I started to write and actually got some plays produced (I have had 4 plays produced - the first in 2003). For me, the playwriting has been the absolute coolest development.
It's funny to think where I started off in the decade. 2000 was a tough year at work. I had shifted into sharing the drama position. It wasn't the sharing that was hard it was working with someone who was clearly unhappy about having to share. I dealt with so many behind the scenes digs and jabs to my self-esteem. They were always delivered behind the scenes and one-on-one and thankfully I had wonderful friends to help me through that year. I also had wonderful students and a great show to direct. I guess The Wiz and One Acts saved that year. Those and the fact I was finally pregnant. Now, 10 years later, it is strange to look back on that year and where I was emotionally with regards to theatre. Dealing with that situation has taught me a lot about how to deal with where I am now, so I guess it wasn't all bad. I also did Jesus Christ Superstar at Keyano. Mark was also in the show playing Pilate so that was nice. JCS was one of those amazing shows where you know it is phenomenal (even if you are dog tired from being pregnant).
You might think that the second half of 2001 would have been a slow year because I had a baby and all that, but being on maternity leave and running a drama program at a busy high school allowed me to get back onstage at Keyano. I played Sister Mary Amnesia in Nunsense, directed by Glenda Stirling and it was wonderful. First of all, I never thought I'd get that part, but it was the one I really wanted and second of all, that was such a wonderful group of women to work with (and Mike Eddy - Musical Director Extraordinaire!). A truly fabulous experience!
I returned to work in the fall of 2002 worried about my place in the department. I stuck to the One Acts and directed 3 shows, one of which (One Beautiful Evening) we took to Interplay as a fundraiser for the theatre department. The next year (2003) I stuck to the one acts at school, but I also wrote my first play, There's a Better Way, which was an anti-vandalism musical that toured all the grade 4-9s in the Municipality of Wood Buffalo. Very cool. It went up in early 2004. I also played Doreen in Girls in the Gang. It was performed in the Recital Theatre and replaced the small ensemble course at the college that year. Directed by Laura Glover. It was a bit uneven but wonderful music and the first time I really got to act with Russell Thomas. We had been in shows together before but never in any scenes together. He was a delight to act with. He was always very present. In the summer, 7 months pregnant, I stage managed and designed Jewel for Interplay, featuring Anne Marie Szucs, after her return from all her work in Vancouver. Designing was fun and confirmed for me that I could do it.
Gibson was born in the Fall of 2004, so instead of doing anything myself, I let Mark audition for the first Interplay Dinnerplay show and even took a six week old Gibson to the show. He nursed and slept through the whole thing. In the Spring of 2005 I got my chance to direct the Interplay dinner theatre, The Owl and the Pussycat, and worked with the fabulous Lisa Ruelling and Charissa Tremblay as designers. My cast, Anne Marie Szucs and John Gaunce, were great to work with and as this was my last show in Fort McMurray before the move to Edmonton, it was a good one to go out on.
Next ---> The second half of the decade - Hello Edmonton!
It's funny to think where I started off in the decade. 2000 was a tough year at work. I had shifted into sharing the drama position. It wasn't the sharing that was hard it was working with someone who was clearly unhappy about having to share. I dealt with so many behind the scenes digs and jabs to my self-esteem. They were always delivered behind the scenes and one-on-one and thankfully I had wonderful friends to help me through that year. I also had wonderful students and a great show to direct. I guess The Wiz and One Acts saved that year. Those and the fact I was finally pregnant. Now, 10 years later, it is strange to look back on that year and where I was emotionally with regards to theatre. Dealing with that situation has taught me a lot about how to deal with where I am now, so I guess it wasn't all bad. I also did Jesus Christ Superstar at Keyano. Mark was also in the show playing Pilate so that was nice. JCS was one of those amazing shows where you know it is phenomenal (even if you are dog tired from being pregnant).
You might think that the second half of 2001 would have been a slow year because I had a baby and all that, but being on maternity leave and running a drama program at a busy high school allowed me to get back onstage at Keyano. I played Sister Mary Amnesia in Nunsense, directed by Glenda Stirling and it was wonderful. First of all, I never thought I'd get that part, but it was the one I really wanted and second of all, that was such a wonderful group of women to work with (and Mike Eddy - Musical Director Extraordinaire!). A truly fabulous experience!
I returned to work in the fall of 2002 worried about my place in the department. I stuck to the One Acts and directed 3 shows, one of which (One Beautiful Evening) we took to Interplay as a fundraiser for the theatre department. The next year (2003) I stuck to the one acts at school, but I also wrote my first play, There's a Better Way, which was an anti-vandalism musical that toured all the grade 4-9s in the Municipality of Wood Buffalo. Very cool. It went up in early 2004. I also played Doreen in Girls in the Gang. It was performed in the Recital Theatre and replaced the small ensemble course at the college that year. Directed by Laura Glover. It was a bit uneven but wonderful music and the first time I really got to act with Russell Thomas. We had been in shows together before but never in any scenes together. He was a delight to act with. He was always very present. In the summer, 7 months pregnant, I stage managed and designed Jewel for Interplay, featuring Anne Marie Szucs, after her return from all her work in Vancouver. Designing was fun and confirmed for me that I could do it.
Gibson was born in the Fall of 2004, so instead of doing anything myself, I let Mark audition for the first Interplay Dinnerplay show and even took a six week old Gibson to the show. He nursed and slept through the whole thing. In the Spring of 2005 I got my chance to direct the Interplay dinner theatre, The Owl and the Pussycat, and worked with the fabulous Lisa Ruelling and Charissa Tremblay as designers. My cast, Anne Marie Szucs and John Gaunce, were great to work with and as this was my last show in Fort McMurray before the move to Edmonton, it was a good one to go out on.
Next ---> The second half of the decade - Hello Edmonton!
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