I've just come home from seeing the third of three new works on Edmonton stages this week! There's nothing my theatre heart loves more than new Canadian works and all three were also written by Albertan playwrights, so that's even better! There was also a great deal of variety in the pieces so it was a but of a rollercoaster of theatrical offerings!
Anahita's Republic by Hengameh E. Rice (Autash Productions)
Now running at the Backstage Theatre (Fringe Theatre Adventures), Anahita's Republic is a play I have been long invested in. It's set in Iran, in a compound where the strong willed and sharply intelligent Anahita (Roya Yazdanmehr) is able to live her life the way she wants to. She's safe to reject the hijab and run the family business, using her brother Cyrus (Yassine El Fassi El Fihri) as her public face. All the while she works to challenge the regime and gain freedoms for women. The play shines a light on a part of the world we may speculate about but not really know. Yazdanmehr gives a passionate and invested performance, and when it looks like she may lose control of her carefully curated world, you can hear the desperation in her anguished pleas. Anahita's Republic is a play that makes you think when you both watch it and in the days that follow seeing it. It makes you think about what you have and what you might do if it were taken away from you. It also makes you reflect on what it might be like to live in a world where all you want is to have the same things that your brother has - the things he takes for granted and even casually rejects - but you can't have them because you are a woman. The cast is rounded out by Omid (Jennie George), a young women whose arrival upsets the balance of Anahita's life, and Omid's father Masood (played wonderfully by Michael Peng) who further complicates the situation with wants of his own. The show is nicely paced and the stakes stack up imperceptibly until things reach a breaking point. It's a tight 90 minute show directed with subtlety by Brian Dooley.
Anahita's Republic runs to June 4th at the Backstage Theatre.
Tickets are $44 but there are Pay-What-You-Can tickets available for every show. You can buy your tickets here.
Subscribe or Like by Liam Salmon (Workshop West Playwrights' Theatre)
So... this was an unexpected show for me. I knew it likely had something to do with social media, because of the title, and I speculated there was a romantic/relationship angle because of the casting and the images I had seen online prior to seeing the show, but that's about all I knew going in. It was both funny and sad. It was also terrifying and inevitable. It's a memory play about Rachel and Miles who start a YouTube channel and travel down the path of needing the likes and views and subscribers to validate what they are doing. Their need to generate those reactions becomes obsessive for one of them, and ultimately destructive for the relationship. This show had me unable to look away even though part of my brain was saying I can't watch. Gabby Bernard and Geoffrey Simon Brown have real onstage chemistry that makes you believe why they are together as well as why they pull apart from each other. He is puppy-dog-like, which is adorable, but hey, he also eats your shoes. She is thoughtful and deep and caring, but over-invested and drained, and it's hard to be the not-fun one. It's a complicated interplay, but believable.
As someone who spends a lot of time on social media, I totally got this show. I have over the last few years reevaluated my online role and needs. I know what it is like to track your likes and views so I understand the obsession. After seeing the show, my friends and I spent a half hour discussing it and how we related and I have come back to it several times today. I imagine it will haunt me for a little while longer. It's completely relevant in our world today and as a cautionary tale, it suggests that even if you aren't thinking about the impacts of social media on our psyches, you probably should be.
Subscribe or Like runs to June 11th at the Geateway Theatre.
Tickets are $27 - $43. Tuesdays are 2-for-1 at the Door.
You can Purchase your tickets here.
Listen, Listen by Elyne Quan (Teatro Live!)
It was so much fun to laugh at this show tonight! The premise was simple, but what started out a something simple (a customer's request) snowballs quickly into the world of the absurd. Led onstage by the physically elastic Farren Timoteo, the cast of four (Nadien Chu, Alexander Ariate and Nikki Hulowski) are delightful to watch. I think they were having as much fun as we were in the audience!
It's quick paced (kudos to director Belinda Cornish) and moves so smoothly that I was surprised that the first act was an hour. It literally flew by! The soundtrack is terrific (I would like a mixed tape of it, please!) and the music, costumes (Leona Brausen) and set (Chantel Fortin) transported me and everyone else to the 80s (the best decade) for a super silly story pitting customer against service worker! It's a show that you can't help but enjoy and laugh at. Everyone onstage is excellent. As to Timoteo, my companion for the evening speculated the role was written for him as his physical comedy was perfection. The rest of the cast all have their moments too - Chu's slow-motion fight scene is hilarious; Ariate's three wildly different characters have their moments; and Hulowski not only plays the smartest cute girl at the mall food court, but she also channels the entire secretarial pool from the movie Working Girl (sorry, Executive Assistants). So much fun and absolutely perfect for a summer evening!
Listen, Listen runs until June 11th at the Varscona Theatre.
Tickets are $30 - $42. Tuesdays are Pay-What-You-Can at the door.
You can purchase your tickets here.
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