Busy Weekend! Theatre with Catalyst, The Varscona and The Citadel!

It was a busy weekend of theatre for me! Felt like old times! Three performances in three days!

On Friday, I took in The Invisible - Agents of Ungentlemanly Warfare presented by Catalyst Theatre at the Eva O. Howard Theatre at Victoria School for the Arts. This was the last professional show i saw before the great pause and much of what I reflected on then, still holds true. You can read my original review here. The show has had some cast changes, but they are still a phenomenal ensemble of actors with no weak links. It's a terrific piece of theatre that reveals stories of women during World War II - stories we don't often get to hear. As I said before, it is one of my favourites from the company and remains so! 

The Invisible runs to October 5th with tickets priced between $26.83-$51.83. You can purchase them here. 

On Saturday, I went to The Varscona Theatre Gala. It was a lovely night with a variety of performers (House of Hush Burlesque, Die-Nasty, Lindsey Walker, and the Jambo Brothers), terrific food, and a silent auction (yes I 'won' something!). It was hosted by Kendra Connor and Jason Hardwick and told us about what was coming up in the theatre this next season. We saw a scene from The Noon Witch which will be part of the Teatro Live! season and Die-Nasty improvised Waiting for Godot: The Musical. All in all a terrific night! If you missed it, and want to support The Varscona either by donating or buying tickets to their shows, you can check them out here.   

My theatre weekend wrapped up on Sunday afternoon with A Streetcar Named Desire at the Citadel Theatre. It is an excellently done production. I will admit, Streetcar is a favourite of mine. I was an ensemble member in a production about 25 years ago, and I have always loved Tennessee Williams' plays. As I mentioned, this production is very well executed. The entire cast is up to the task and Stanley (Stafford Perry) and Blanche (Lindsey Angell) are phenomenal anchors to the piece. I was also particularly impressed by Sheldon Elter as Mitch, who gave a real layered and thought-provoking performance. The show is about 3 hours long, but does not feel long. It moves along and keeps the audience engaged. It's not often that you get to see these classic pieces, and it is nice to see it done so well. They've added live music to the transitions to create the mood and feel of New Orleans in the 1950s. These are all excellently done, but I wondered about whether this was necessary. It's hard to say, because after the show, my companion's first comment was about how much she liked the music! It certainly showcased some tremendous talent!

A Streetcar Named Desire runs to October 13th. Tickets are priced between $40-$125.00 and can be purchased here. 

February Theatre - And the Theme is Fight the Power!

I've taken in 3 theatrical events so far this month (2 productions, and one reading of a new work) and I am noticing a theme... it's all about fighting against oppression!

The first show I took in was 1984 at Walterdale Theatre (full disclosure: I am Board President of Walterdale). It opened last Wednesday and runs to Saturday, February 15th. The production is a striking adaptation of George Orwell's 1949 novel. I was very impressed with the striking and flawless design of the show and clear direction. It's executed cleanly by it's cast, who do an excellent job creating the dystopia of the world. As Winston Smith, Michael Anderson shifts from disillusioned party member, to brash rebel, and then to a descent into brokenness as he is defeated and tortured by the all-seeing all-knowing Big Brother-led Inner Party. I've never seen 1984 onstage before, and I recommend this production as a worthy adaptation for the stage. 1984 runs to Feb 15th and you can get tickets here.

Photo Credit: Scott Henderson, Henderson Images

I also saw The Invisible: Agents of Ungentlemanly Warfare at Catalyst Theatre. It's about 7 women agents of subterfuge who work as a team to help defeat the Nazis in WW II. I've written a longer write-up here. I can summarize to say I loved it! Tickets are available until February 23 and you can click here to purchase them.

Photo Credit: dbphotographics



The reading I attended was at Script Salon - Anahita's Republic by AuTash. It's a piece I know well as I participated in some of the early readings and work shopping of it. It's a brilliant play written by a two Edmonton playwrights about modern day Iran and the challenges of living in a repressive society where not everyone is equal. There's much more to it than that as it also offers comment on western society, but does so in a very human way. I really hope that this piece gets picked up for production soon. I think it tells a story that everyone would benefit from hearing. It was such a delight to hear it read by such talented actors and to hear how far it has grown in the four years of it's development.

The Invisible at Catalyst Theatre - Revealing the Exceptional!

This past Friday, I was delighted to take in the latest theatrical creation from Catalyst Theatre - The Invisible: Agents of Ungentlemanly Warfare. It tells the story of seven exceptional female operatives during World War II who risk their lives to help bring down the Nazis. It's engaging and unpredictable and full of compelling music, performed with brilliance by a cast of seven and a three piece band. It easily takes a place as one of my favourite Catalyst productions ever!

Set in 1940, in France, it's inspired by the stories of real-life Special Operations Executives (SOEs) who were tasked with sabotage and subversion behind enemy lines. The SOE was the only branch where women were allowed to participate in combat roles by the Allies. The musical imagines an all-female cell, who participate in missions to bring down the enemy. They are led by Evelyn Ash (Melissa MacPherson) who recounts their history and actions in the war. MacPherson is steely and determined, a force on the stage, leading us through the ups and downs of their recruitment, training and ultimate deployment. The 6 agents she recruits are a mixed bunch, with varied citizenship, skills, and motivations for their participation. As a group, they contain the perfect blend of skills and talents to pull off multiple missions with success. Of course, the story is told through action and song, and not only are they exceptional agents, but they are also tremendous triple threat performers. Make that quadruple threat - as they all, at various times, speak in languages other than English, from French, to Polish, to Romanian, to Czech and German.

It's hard to single anyone out, as they are a well-balanced machine. I was drawn into the story, leaning in to learn what happened next.  I do have to draw attention to Tara Jackson, whose vocals are particularly amazing, especially in her jazz club number, but all seven actors are gifted singers and each is given their moment to shine. There's a real diversity in the music, and director and writer Jonathan Christenson has used the strengths of all his actors to great effect in order to tell his story. This is supported by creative choreography by Laura Krewski which moves the piece from moment to moment and place to place with precision and attack. Bretta Gerecke's design evokes the world with a sepia paper backdrop and sharp columns of light which feel almost solid. It's striking and compelling and the mood of every moment is carefully crafted.

It was the best, of course, to see this female-centric story set in a world where we are not used to seeing women - at least not in popular culture. And to see it told by such gifted artists playing characters who are not stereotypes or victims, but instead are women of agency and intelligence, was wonderful. I highly recommend this show - catch it before it's gone!

The Invisible: Agents of Ungentlemanly Warfare presented by Catalyst Theatre, runs to February 23rd in the MacLab Theatre (Citadel). Tickets are available here.

Photo Credit: DBPhotographics