Summer Theatre Season rushes in with the Rain!

I'm a teacher, so Summer for me is a glorious time! I get to read - A LOT - and luckily for me, because I live in Edmonton (the unofficial theatre-capital of Canada) I usually get to rack up a few shows right off the hop! I'm going to go in reverse order for what I have seen - so far - and let you know there are some great shows on offer in the city right now! 

Photo by Kristen M. Finlay

Most recently I took in Once at Walterdale Theatre. I've seen this show several times before (I think 3 different other companies) but it's one of those shows that you can see multiple times and still be wowed. I was definitely wowed by this one. The company does a terrific job telling the story with the actors also playing all the instruments and singing and dancing while playing them. The musicianship blew my mind. It's also a lovely show to see in the intimacy of Walterdale. As an audience there were definitely times we were all holding our breath together. It's a show that's both funny and sad, but the music is wonderful. Leasing the cast are newcomer Mark O'Reilly, as Guy, and Miriam Veugelers, as Girl. As an almost-couple they are charming and their contrasts make us root for them so much. They are both excellent musicians and singers and there's a real connection between them. The show runs to Saturday, July 18th and Tickets are available here, but I encourage you to purchase them sooner rather than later as they have Sold Out many of their performances so far. 

I almost saw Cocktails at Pam's at Teatro Live! on it's Opening Night, but a freak storm shut down the power. I will be going to see it later this week. I never miss Cocktails at Pam's - It's such a terrific script - and the Teatro Company knows exactly how to do it (it's also directed by the playwright, Stewart Lemoine, so you KNOW he's aware of how it should be done). For all the times I've seen (and done it myself) I am always surprised and delighted by the mayhem that ensues. The first 15 minutes we managed to see before the power died were hilarious, so I can't wait to see the rest! It runs until July 26 at tickets can be purchased here. 

Photo by Nanc Price

Last Tuesday, I was at the Citadel for The 25th Annual Putnam County Spelling Bee. Having directed the show before there was a lot of wonderful flashbacks in seeing it. But it was a long time ago, so I had totally forgotten who won and I was sooooo invested! This is one of those adorable musicals that are so fun to watch. Part of that comes from the fact that because the show requires audience participation (extra spellers are selected before the show starts) and they may or may not spell words correctly or incorrectly as anticipated, the cast has to be on top of it and roll with whatever happens! The 6 Spelling competitors are also very charming in their own way. We had an excellent audience speller the night I saw it who was just as surprised as the cast when they kept getting words right! Anyhow, the show is super fun and a terrific choice. Everyone on stage is excellent and I had a great time. I was particularly delighted to see Mark Sinongco in the show, as he was my Chip Tolentino 13 years ago when I directed the show for ELOPE. The show runs to August 2 and Tickets can be purchased here. 

I also saw two shows that have since closed... Sorry I was so busy I didn't have time to write about them earlier. 

Photo by Brianne Jang

I saw Much Ado About Nothing presented at the Freewill Shakespeare Festival. It was very funny and I had a great time. Jesse Gervais as Benedict was hilarious, as was Ron Pederson as Dogberry, but the whole company was in fine form. It was also so incredibly wonderful to be back in Hawrelak Park for the Festival. This was a great show for them to come back with, and a terrific company of players to present it. I do hope next year they return to two Shakespeare pieces in rep, but I applaud them for taking on Something Rotten this year.

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I also caught ELOPE's presentation of 42nd Street. It was such a cheerful show full of tap-dancing (like FULL OF tap-dancing!) and classic songs that are earworms that you cannot stop singing for at least a week afterwards. I knew a few of the performers but many were new to me. I was so delighted to see Madison Lalonde as ingénue Peggy Sawyer. I directed Madison last year and she is such a joy. That quality was evident onstage as she was simply wonderful. I also greatly enjoyed Katy Yachimec as the diva Dorothy Brock. So great to hear her belt some of those big songs.  The company was terrific and everyone in the theatre, both onstage and in the house, had a great time!

Next on my list is a second chance at Cocktails at Pam's and then I am seeing Once again. After that I am heading off to Ontario where I will take in a few shows at Stratford! And then... You know what's coming to Edmonton in August - The Fringe! 

Shows I Saw But Didn't Have Time to Write About... Until Now...

This has been a busy few months for me, not just with theatre, but with life. I started a new position which seems to be ever-evolving and that has taken up a lot of mental and physical space in my life; I am also working on a show (Waiting for the Parade - Walterdale Theatre - I am doing Props - it goes up sooooooon!) so that naturally has taken up time in my life; I have had a nice visit from my sister from Toronto; I remain active on the Walterdale Board; and I am still trying to occasionally read. Somewhere in all that, I have managed to see some shows AND NOT write about them... My reflections on these will be briefer than usual. 

Photo by Brianne Jang

Most recently, I saw A Chorus Line at MacEwan University. The show itself is not my favourite structurally, but I thought they did a really good job with it. I always forget how many of the songs I know! It's also nice to see this show done by people the right age (or close to it) who can also handle the dance. I felt the dancing was really strong (and it needs to be). Standout moments for me (besides the big dance numbers) were Ethan Bintu-Watt's vocals (he played Richie), a monologue from Don Raphael Figueroa (Paul) which made me cry, and the lovely trio who sing my favourite song from the show, At the Ballet (Layne Labbe, Harmony B, and Mana Middleton). 

Photo by Nanc Price

I also saw The Wizard of Oz at the Citadel. It was good and I think kids in particular will love it. I enjoyed the afternoon but having done the show myself many years ago, it was hard to wow me and I think they actually missed a few opportunities to do so. Yeah, yeah, I know, they fly people. That's cool. And really, it's not like there was anything wrong with the 'pieces' of the show, but I didn't feel a lot of chemistry between Dorothy and the 3 friends and that's the heart of it for me. They were all individually good, some stronger than others, but they didn't feel connected. My favourite parts were the ensemble numbers and I think the ensemble was outstanding. The costumes and the big group dance numbers were really what made the show for me. By the way, if you want to be the one that the lead jitterbug surprises in the audience, I can tell you the exact seat because I was sitting in it! ha ha ha! Anyhow, the rest of the audience was up on their feet, so it's quite possible I just had an off day. 

Photo by Nanc Price

Before that I took in Death of a Salesman at the Citadel. A classic that I have seen three times before. They did a solid job, but there were a couple actors were miscast (in my opinion) and the ending didn't really give me the punch that it usually does. It would, however, be hard to beat the production that the Citadel produced 15 odd years ago. I was a bit distracted by the staging with the alley of musical instruments and for a show that is long to begin with, adding length with a cinematic score didn't really serve the piece. But sometimes I was drawn to watch the instrumentalists instead of the action and I wasn't really sure why that choice was made other than it seemed like a cool thing to do. Also, by casting a person of colour as Charley, it really changed our perceptions of why Willy rejects his help. It makes it seem that Willy is racist, as opposed to it being about pride and failure. The moment is shifted dramatically and it greatly alters what playwright Arthur Miller likely intended. 

Please remember, these are just my ramblings and my personal reactions to these shows. I respect that others will have engage with the material in a very different way. I don't have to love everything I see and I'm cool with that. 

A Nice Light Comedy to Keep You Warm - "I Meant What I Said" at Teatro Live

Teatro Live! is currently presenting a brand new play by Stewart Lemoine called I Meant What I Said. It's a bubbly little piece that demonstrates the power of the creation of story. Dinah (played cheerfully and optimistically by Bella King) is approaching her 30th birthday and is experiencing a period of reflection about her life and her purpose. As such, she starts to weave a story that comes to life in front of us. We meet a former friend and current acquaintance, Helen (Jayce McKenzie) who finds herself at a different turning point as her marriage appears to be ending. Dinah also observes Alex (Sam Free) who becomes her boyfriend in the story she creates (is he an actor? or an academic?), and Juris (Eli Yaschuk) a newcomer to the country seeking to converse in order to improve his English. In Dinah's story he also has a tragic past. Added to the mix is The Oddball (Nida Vanderham) who is actually several characters who fill in the world that Dinah creates. It's a very cool little story that roams from coffee shop to upscale hotel bar to academic classroom to wintry high mountaintops. Some is true, some is made-up, but I'm not sure we know entirely which is which. It's definitely about the journey! I had a very enjoyable time and as a playwright, I found the witnessing of the process of creation of story very interesting. I most enjoyed the interplay between King and Yaschuk, as he is such a natural comedian and King's reactions are so truthful. I also loved McKenzie's turn as the tightly wound Helen. This was a big shift from anything I have ever seen her in before and it was fun to watch. 

I also reflected on the five actors that were onstage, as it did not seem that long ago that I observed them as 'the young ones coming up', but now they are firmly established. It's a testament to the investment that the Edmonton theatre community has made to young artists that we can watch them evolve on stages over several years (and hopefully more to come). I certainly look forward to seeing these actors onstage in future projects and was glad to see them as an ensemble in this piece. As I said, it's a lovely comedy that will keep you warm this winter. Definitely worth checking out!

I Meant What I Said runs to March 8th at the Varscona. Tickets are $25-$42 and there are Pay-What-You-Can Nights and other special events. You can purchase those tickets here. 

Photo Credit:  Marc J Chalifoux Photography 

The Mythology of War - An Iliad at Shadow Theatre

 Marc J. Chalifoux Photography

Last weekend I took in An Iliad at Shadow Theatre. The Iliad is an epic story from Greek Mythology recounting the battle of Troy. You've likely got some bits and pieces of it floating in your head, from Helen of Troy, to Achilles, to Odysseus, to The Trojan Horse. And of course, there's all those deities mixed up in it with vested interests: Athena, Apollo, Ares, and others. I'm very familiar, having directed The Penelopiad (the story of Odysseus' long suffering wife, Penelope) and having read Madeline Miller's The Song of Achilles last year and just finished her more recent novel Circe. I felt a bit surrounded by the Myth, but familiarity does cultivate affection. 

At the centre of this production, is the poet, played masterfully by Michael Peng. Peng is an excellent story-teller and even injured and constrained in his movement he weaves a compelling tale about the Trojan War. I appreciated that this retelling does not pick sides but rather tells the tale from the perspective of both sides. We hear about Hector as well as Achilles. The poet sees and relates wrongs and triumphs of either side of the wall. He has been telling this story for centuries and we are getting the version that's a little under 2 hours. He tells us he's told versions that last several days. The weight of that underscores the shorter version we receive. 

 Marc J. Chalifoux Photography

You can't help but reflect beyond the mythology and think about the essential nature of war, in fact, Peng draws our attention to war in the world over our long human history up to today. The list feels endless and sadly incomplete. As we live in a world with increasing tensions, it is perhaps a kindness to reflect on war through the lens of an ancient mythological one. I certainly have thought a lot about war lately and how relatively safe we are in North America (and growing less so). There are many places in the world where war is first-hand and deadly, and while the play does not provide answers to humanity's ongoing conflicts, the recognition that both sides of any conflict are human is important. 

As I mentioned earlier, the story is well-told by Peng. He is also supported by the live score created by Erik Mortimer on a variety of instruments. The music and sound is thoughtful and supportive of the storytelling. Directed by John Hudson, the blocking is simple, yet effective, as it avoids distracting from the story. I guess with an uninjured narrator you could add more physical action to the story-telling, but I actually found it very engaging to focus on the images created by the words, and the emotion layered on Peng's face and in his voice. Set in a lonely bar (set design by Scott Peters), where all the best stories are told, the show relies on the best of story-telling, the testimony of "I was there, I saw this, and it was devastating." 

An Iliad is presented by Shadow Theatre and runs at the Varscona until February 8th. Tickets are $25-40 with several Pay-What-You-Can performances and they can be purchased here. 

Fun Fact: The crutches used in the show came from my garage! A call went out for wooden crutches and I happened to have 3 sets of wooden crutches hanging in there, as well as 2 sets of metal crutches... don't ask... 

Wrapping up my Theatre week! NLT, Grant MacEwan and Foote in the Door!

 I'm not kidding when I say the last week was jam-packed with theatre. I saw five shows (two of which I already wrote about) in 7 days! I combined that with my usual Trivia adventures, a visit from my sister, and chauffeuring my husband to and from his cataract surgery. A busy, busy week with a wide variety of theatre!

Brianne Jang BB Collective Photography

I mentioned a visit from my sister. We had a terrific time this week, mostly talking (but she did come to trivia with us and help secure our second place finish). On Thursday, the two of us went for dinner on Whyte at the newly opened Town 82 which was a lovely spot with great food and atmosphere. And we talked. Then we set off for Northern Light Theatre’s How Patty and Joanne Won High Gold at the Grand Christmas Cup Winter Dance Competition. This show was simply delightful. About two women who are a little lonely who are participating in a Beginner Adult Tap Class for different reasons. After the instructor leaves her position, the rest of the class also departs leaving only Patty and Joanne. Patty (Jenny McKillop) is a tired mother of 5, seeking something for herself  in her busy life. For Joanne (Kendra Connor)  the tap class is her path to her love of musical theatre (she knows facts about classic musical theatre shows that she can list off at the drop of a hat), and memories of her now deceased parents. When they find themselves alone with no instructor they decide to create their own routine and enter the big Winter Dance Competition. Through the journey, they get to know each other and themselves better and create a magical tap number (Choreographer Jason Hardwick) that literally had me sobbing with joy! Perhaps I connected to this so strongly because, like Patty and Joanne, I too am at a point in my life where I am seeking something for me. I think many of us hit that point in our middle years and an artistic pursuit, no matter what your skill-level, can fill that. I have so many friends that have started taking up artistic hobbies that it made me really think about what is missing that art fills in our lives. I may not take up tap-dancing, but I know I have been seriously thinking about finally writing a novel! Look out world! If there's a Christmas Cup for novel writing I might be trying for it. Anyhow, this is a terrific little show. It's a tight 60 minutes that's funny and heart-warming, and certainly kicks off the Christmas season in a truly original way! Plus, it features the BEST Christmas song every written so there's that. No ghosts on this stage, but I'm good with that. The show runs until December 13th and there's plenty of different price points including Pay-What-You-Can and 2-For-1 Tickets. 

I also saw Grant MacEwan Theatre Program's Carrie. It has closed now but it was an excellently done show. However, it was not my kind of show. I think that there are certain people who love this show and shows like it. Based on the Stephen King book and movie it has a bit of a cult status. It was executed with great skill. Standouts were the actresses who played Carrie and her mother (I failed to grab a program and I can no longer find the online program - so if anyone knows who they were, feel free to comment). But the whole thing was pretty cool for concept and it was tight. I'm glad I saw it, even though it wasn't my kind of show, because there are some fabulous performers in the Grant MacEwan Theatre program! 

Finally, I saw Foote in the Door's Guys and Dolls. It has also closed as I saw it on it's closing weekend, but I had a great time. I went with friends from Amélie (ELOPE) and there were several members of the Amélie cast/team onstage and in the orchestra and production team. It was nice to see all them, as well as the Walterdale peeps! A very 'theatre-family' experience. Having done Guys and Dolls many, many years ago it was terrific to revisit it. My seat partner and I chair-danced and lip synced along to many of the songs and it was full of funny moments that we laughed at. It's easy to see why a company would produce this show. So many great songs and opportunities for humour and great dancing! This was a terrific ensemble and they put on a show that was a real audience pleaser! I'm glad I was able to fit it into my schedule! 

Getting in the Spirit of the Season with THEATRE! Castle Spectre and The Vinyl Cafe Kick it all off!

I've been super busy this week because I have my sister visiting from Ontario, but I did see a couple of show son the weekend that I think you should check out. 

The first was Castle Spectre, presented by Paper Crown Theatre at the Gateway Theatre. It's an adaptation of a gothic play from long ago. It's been edited for length and some characters have been trimmed to create a tighter piece more suitable for modern audiences. The story tells of a haunted castle with a history of treachery and a long lost daughter returns, not knowing who she really is. The story leans on gothic tropes, like ghosts and a mysterious prisoner in a dungeon, as well as an isolated heroine. There's a lot of humour, particularly from Father Philip (Andrew Mcready), Motley the fool (Christian Lundgren, who also plays the villian, Lord Osmond) and a delightfully Scottish housekeeper Alice (Samantha Beck). As the heroine Angela, Irene Poole has a lovely onstage presence and a beautiful voice. She sings duets with the ghost of her mother, Evelina, the equally talented Maggie Salopek. It's a lot of fun and worth checking out, particularly if you like stories of castles and long lost royal heirs and sword fighting! It's perfectly suitable for younger audiences, but only if they are able to handle the running time as it is a two act piece - so maybe not the really little ones.  It runs to November 30th at the Gateway Theatre and tickets can be purchased here. 

Photo: Nanc Price

I also saw The Vinyl Cafe at The Citadel. I'm a big fan of the CBC program, The Vinyl Cafe and have listened to a lot of them. I was both excited and apprehensive about seeing it because I love the show but I also wanted it to live up to my expectations. I needn't have been apprehensive, it was such a  lovely and fun show! It may not look or feel exactly how you imagine it (there's a wide distance between Stuart Maclean's voice and musical theatre), but the spirit and themes of the stories are spot-on. The bulk of the show is built around the classic story, "Dave Cooks the Turkey", but there are other bits and pieces from many of the recognizable favourites from the Vinyl Cafe. There will be moments that surprise you! The music is tuneful and fun and the entire cast is terrific. They are all wonderful singers and dancers committed to selling the story, so whether there's 2 or 3 or the full cast onstage, it's really well done! The central family of Dave, Morley, Stephanie and Sam were the emotional heart of the show, as they should be. I even teared up in the last number. I left the show feeling so good. It's a  wonderful holiday theatre adventure, and for me the theme of leaving behind petty disagreements to share in the joy of the season with your friends, family and neighbours is so very timely. The show has been held over a week and now runs to December 7th and tickets can be purchased here. 

I mentioned I've been busy - I also saw How Patty and Joann Won High Gold at the Grand Christmas Cup Winter Dance Competition  at Northern Light Theatre - which was hilarious and heartbreaking and I highly recommend, and about which I will write more about later; and Carrie presented by MacEwan University Theatre program, which while it is not my kind of musical, it was excellently done - I will write more later about this, as well. 

And now I am off to Guys and Dolls presented by Foote in the Door! It's been a very busy week!

Teatro Live! Closes their Season with a very funny production of The Odd Couple!

Marc J Chalifoux Photography 

Summer is really such a great time for theatre for me! I love it when you leave the theatre and it's still a little light out. Even better when the show is a comedy, like Teatro Live's production of The Odd Couple, which I took in on Friday night. If you are around my age (and even younger since there was a reboot in recent history) you are no doubt familiar with Oscar Madison and Felix Unger (played in this production by Alexander Ariate and Andrew MacDonald-Smith), the mismatched roommates from Neil Simon's play. The two are physical foils, which ups the ante on their character's personality conflicts, and this production puts their physicality to good use, particularly with MacDonald-Smith's height and long legs making seemingly inhuman movements around the furniture and Ariate's flopping on couches. The physical humour alone makes this show tremendously entertaining!

Marc J Chalifoux Photography 

But it's the scenes with the accidental roommate's poker buddies and the Pigeon Sisters that had me the most entertained. Not surprising when you consider the group of assembles artists - all of whom could (and most have) anchor a Teatro show themselves! The poker buddies (Garrett Ross, Matt Busby, Bernardo Pacheco, and Oscar Derkx) give more depth to the recognition of the disparity of personalities between Oscar and Felix, and their banter is very fun to watch and listen to - particularly the contrast between the old (Oscar's toxic waste level of cleanliness) and the new (Felix's immaculate and antiseptic environment). From their reactions, you understand that neither extreme is particularly healthy. 

Marc J Chalifoux Photography 

The Pigeon Sisters, Cecily (Kristin Johnston) and Gwendolyn (Jenny McKillop), add for another level of tension between Oscar and Felix. Oscar is looking for a wingman, but Felix's impending divorce is too new to make him a suitable one. Johnston and McKillop are hysterical as the British girls from upstairs with backcombed hair and synced responses. I was very glad to see them return in the third act! 

There's a lot to laugh about and for those who were fans of the movie and the TV shows, I think it's well worth the nostalgic trip to the theatre. It's a nice reflection on friendship and compromise, but above all makes for a laughter-filled night of theatre on a summer evening! 

The Odd Couple runs until July 27, 2025 at the Varscona Theatre. Tickets range from $25-42 and there are also special event nights, like Pay-What-You-Can on Tuesdays. Tickets can be purchased here. 

Shakespeare In Love at Walterdale Theatre - A fun ride behind the scenes of Romeo and Juliet!

Last night was Opening Night of Shakespeare in Love at Walterdale Theatre. I haven't been to an Opening Night at Walterdale for a while because I found it hard to manage when I had to teach the next morning, but summer holidays and an abundance of sunshine allowed me to make the weekday theatre trip to Verona! I also got to attend this one as proud Mama, as my youngest son, Gibson, was Music Director for the incidental music in the show (it's not a musical, but there are several times when the ensemble sing giving depth to the the soundscape of the show). 

Photo Credit: Scott Henderson, Henderson Images

It was a terrifically fun night of theatre! I am a big fan of the movie, and have seen the stage play previously, but it was really cool to see the show translated to the intimacy of Walterdale's stage. There are a lot of moving parts to the show and I remarked after to Director Anne Marie Szucs that it must have been like directing a musical as the scenes flit from location to location and the ensemble switches characters as they walk off and on the stage again. The flow of the show was well maintained and was aided brilliantly by the elegant and flexible set design (Brooke Emberley). I particularly loved the clever revolve that switched from balcony to bed to upper floor of the backstage rehearsal area. There was also some very funny choreography (Barbara Mah) that made the ball scene more than just a simple meet-cute for Will (Matt Boisvert) and Viola (Ren Elliot). The world is completed by the beautiful costumes (Cathy Dragon) - some of my favourite outfits were Marlowe's and Queen Elizabeth's; but the panorama and variety of costumes helped to indicate who had the power and who did not in Shakespeare's world!

Photo Credit: Scott Henderson, Henderson Images 

The cast is enthusiastic and committed as a whole in telling this story. Standouts for me were Boisvert as Will Shakespeare and Elliot as Viola de Lesseps. The two have a delightful chemistry. Boisvert has most of the heavy lifting in the show, but he attacks it with a true sense of purpose and recklessness that makes you wonder about the 'real' Shakespeare! I also really enjoyed Ethan Handford as Ned Alleyn and Josh Young as Richard Burbage. The energy picked up considerably when the two (playing the best actors of their generation) came into contact with each other. Each had their own brand of swagger that mixed in a 'what will happen next?' kind of way. First timers on Walterdale's stage, John Gaunce as Fennyman and Ian Hicks as Henslowe, were also great to watch and they played off each other well. I hope we see more of them on the Walterdale stage in the future! There are lots of great moments from the rest of the ensemble cast, including the dog (Rain, the night I went).

This is a fun one to watch, particularly for the Shakespeare fan, as there are many references and Easter eggs in the script alluding to famous quotes and almost quotes and situations. And while there are bits of Shakespeare's language in the play, it's all accessible as it's more about the behind the scenes story!

Shakespeare in Love runs to July 19th, with shows at 7:30 pm and a 2 pm Sunday matinee. They have already had one Sold Out performance so I recommend buying your ticket sooner rather than later. The run also features a 2for1 night (Thurs, July 10) and a Pay-What-You-Can Night (Wed, July 16). Tickets are $25-27 and can be purchased here. 

Where You Are at Shadow Theatre - It's where I want to be...

I caught Where You Are by Kristen Da Silva presented by Shadow Theatre this past Saturday afternoon. On the ride over the uber driver asked me about the play and I realized that other that the cast members and knowing that two of them were sisters I really didn't know much about it, but I was confident based on that information that I would enjoy it. I was not wrong!

Marc J. Chalifoux Photography

The two sisters, Glenda and Suzanna (played by Coralie Cairns and Davina Stewart), live together on Manitoulin Island and while they are clearly very different, it is not hard to imagine them being sisters. They have strong chemistry and an easy way of relating to each other. They do a great service to Da Silva's occasionally over-written script. Cairns and Stewart are gifted with making it all seem so real and believable and that this is a relationship with a long history and ingrained patterns of interaction. We meet Glenda, the wilder of the two, with a Something About Mary inspired hairstyle, raccoon eyes, and a heavy metal t-shirt under her bathrobe, and that sets the tone for what to expect from her. Suzanne arrives a little later, impeccably groomed and dressed, returning from church which she attends more for gossip than for spiritualism. They comfortably and humorously bounce off each other and we find out that Glenda's adult daughter Beth (played by the sharp and smart Nikki Hulowski) will be arriving soon for a visit and that there's a potential for conflict as Glenda has a long history of saying the wrong thing! We are also visited by the handsome and handy neighbour Patrick (Brennan Campbell) who the sisters clearly enjoy seeing on a regular basis. He's got his own history which involves being left (near) the altar. Beth arrives and things kick-off. We've also got hints that there is something big the sisters have been keeping from her. I don't want to give it all away, but of course, you have two attractive young actors who are unattached so there's potential there for a liaison, and it's clear that when Beth finds out the secret - she might not be happy about it. Come and see and find all that out. There are many laughs along the way of discovery and the four actors work really well together. Hulowski was terrific. Her reactions to the ridiculousness of her mother and aunt were perfect and wonderfully in the moment. Campbell was charming and kept up with the three powerhouse women on the stage. And, as I mentioned earlier, Stewart and Cairns have a real ease with each other which was so essential to creating that key relationship. 

Marc J. Chalifoux Photography

Now, I say it's where I want to be... maybe not right now, but I can totally imagine hanging with my sister and relating in our own way to each other the way Glenda and Suzanne do. I definitely connected to the situation. And the emotional investment you have in your adult children and their futures also resonated big-time for me. I would say for anyone around my age plus or minus 20 years with a sister you are close to, this is a terrific choice for a night out. The audience agreed with a standing ovation when I saw it. 

Where You Are runs until May 18 at the Varscona Theatre presented by Shadow Theatre. Tickets are $25-$38 and can be purchased here. They also have pay-what-you-can performances. 

Radiant Vermin at NLT - Are You a Good Person? Am I?

Last weekend I took in the opening night of Radiant Vermin presented by Northern Light Theatre in the Studio Theatre at the Fringe Theatre Arts Barns. Holy moly what a show! I had seen a bit at the season launch last spring, and had some ideas about what I was in for, but nothing really could’ve prepared me. What the audience is in for is a little bit of a wild ride! We get a hint of what’s coming in the first scene when Ollie and Jill, a young couple played by Eli Yaschuk and Rain Matkin, tell us that they’ve just experienced the garden party from hell, and then they tell us how they got there…

Photos by Brianne Jang, BB Collective Photography.

Ollie and Jill are a young couple with a baby on the way wanting to move out of their terrible living situation in a run down apartment complex and find their (unaffordable) dream home. After receiving a cryptic letter, they’re approached by Miss Dee (Holly Turner in a striking array of stylish costumes) who tells them they are selected for a special program where they will get their very own fixer-upper house free of charge that they can DIY into their very own dream home. The bones of the house are perfect, and although it needs a lot of work, they jump at the chance because Ollie is very handy and Jill is an interior-design savant. They’ve already warned us that they did terrible things to get their dream house and what follows is indeed a litany of the terrible things they’ve done. Here’s where it gets hard. I don’t wanna spoil anything. Suffice it to say the homeless and itinerant population are sacrificed so that Ollie and Jill can have their dream house. 

Photos by Brianne Jang, BB Collective Photography.

It's fabulously funny, and I was laughing aloud at so many moments in the show along with the rest of the audience. The last 20 minutes is non-stop hysterical and it was hard to stop laughing! Yaschuk and Matkin have brilliant chemistry with each other and both have a physical vocabulary that belies their young years (they are relatively new grads from the MacEwan Theatre Arts Program). Turner is the temptress that pulls no punches. Director Trevor Schmidt has created a show that is tight and dramatic and, did I mention, hilarious. The piece is supported by Matt Schuurman's amazing projection work and tight choreography from Ainsley Hillyard. This is probably the best show I have seen all season... I'm not joking or exaggerating.

Now, it's not just a "fun" show and I haven't wanted to give too much detail because I do not want to spoil anything. It also a play you leave thinking and talking about, providing a great comment on the consumerist society we live in and how those that want and have and get, find it very easy to forget about those that have absolutely nothing. I found myself thinking about my friends with perfect houses (from my perspective) who talked about needing to renovate this room or that room because they were 5-10 years out-of-date... I found myself thinking about how often I order online, just because... It asks the question, What would you do if it would give you everything you wanted? And then it asks, What if you wanted more? Would you do more terrible things? You can donate to the food bank if you're in any way worried about your answer...

Radiant Vermin runs to May 3rd . Tickets start at $37 but there are also pay-what-you-can and 2 for 1 Nights. You can purchase your tickets here. The space is small and this is such a good show, I would grab them quick!

The Noon Witch at Teatro Live! Beware of Young Women with Baked Goods!!

Photo Credit: Marc J Chalifoux

This past Friday, I took in Opening Night of The Noon Witch written and directed by Stewart Lemoine and presented by Teatro Live! at the Varscona Theatre. It was a fun night of theatre warning of the dangers of young women met at midday with baked goods - you must be careful as they might actually be a witch, trying to fatten you up so you will sink to your death (lured to the water by nixies of some sort). It takes place in 1920s Hungary and we meet first Anatol (Aidan Laudersmith), who has just returned from a long trip exploring the country, and Joszef (Eli Yaschuk), who has quit his long-standing job at a bakery because he can't stop eating the goods. These two have wonderful chemistry together and Laudersmith handles the complex and witty dialogue wonderfully. Yaschuk is brilliant at playing the very quirky Joszef and he has a comedic subtlety that was very fun to watch! The two men have a friend, Sandor (Ethan Long), who they discover has been captivated by what they believe is a Noon Witch going by the name of Tinka (Nida Vanderham). Rescuing him from her clutches becomes paramount, while also avoiding falling into the witch's clutches themselves. There's also an assist in this task from Dr. Katalin Vac (Michelle Diaz) who Anatol happens upon in his journeys. 

Photo Credit: Marc J Chalifoux

It's a clever script and the company has risen to the challenge with set (Chantel Fortin - a pool onstage!) and costumes (Leona Brausen). I had not seen the original 1995 production so I was delighted to see how it all unwrapped. It was also great to see these new young actors on the Varscona stage. They were all recent graduates from various theatre programs. They handled the clever and ridiculous Lemoine dialogue handily and the moments of physical comedy were hysterical. Never will I look at a donut the same way again!  It was a great evening out for surprising and unexpected laughs! 

The Noon Witch plays until March 9, 2025 at the Varscona. Tickets range from $25-$42 and there are Pay-What-You-Can performances. They also have a variety of special event options including wine and cheese, and dinner and a show. You can purchase your tickets here. 

Stranger Sings! What a Riot!

Last Friday I went to Opening Night of the absolutely hysterical Stranger Sings presented by DarkStage Productions at the Backstage Theatre. It is what is sounds like it might be, a musical parody of the Netflix show Stranger Things. Like the TV show, it is set in Hawkins, Indiana, where four nerdy tweens play D&D and one of them (Will Byers - a puppet voiced by Melenie Reid, who also plays his mom, Joyce Byers) goes missing on his way home! All the folks you expect to see are there: D&D buddies Mike (Jeremey Zimmerman), Lucas (Jason Wong) and Dustin (Renell Doneza - who does an amazing imitation of Gaten Matarazzo), Steve Harrington with the hair (played by Brian Christenson who also plays Jonathon Byers with a quick switch of a wig and a moor slouch), Nancy Wheeler (Liz Janzen) and best-friend but forgotten Barb (Carly Pettit), Eleven (Jack Hunting), Hooper (Connor Foy) and, of course, the Demogorgon (the clearly never-shy in his life - Lucas Paterson). I mention them all because they are such a fabulous ensemble. No one is weak in this bunch. They all sing terrifically and embrace the camp of the show and handle the fun choreography (Director/Choreographer David Son) expertly! 

I loved this show because I loved Stranger Things. It doesn't recreate the entire show, but it hits the moments and highlights the ridiculousness of the situations. All the cast members clearly understood the assignment - it's obvious they've watched the show and know the mannerisms of their characters and they go for it. Melenie Reid's Winona Ryder as Joyce Byers is simply hysterical, and Carly Pettit is a bang-on Barb. Jack Hunting has Eleven's physicality down to an art. 

I also loved this show because it's a musical theatre fan's treasure hunt! The songs are fun and there's homage to many musical styles. I heard references from Yentl, Dear Evan Hansen, The Muppet Movie and Gypsy! to name just a few! Every single cast member was giving it 100% whether in a solo or an ensemble piece. There were times where they were all singing and it was so fabulous to hear! What a great sound. 

It helps to have seen the show, I would think. My friend even went so far as to binge the first season before going and I think she felt that was a good idea. But if you are a fan of the show, you will not be disappointed. If you haven't seen it, it's not too late to binge and then check out this delightful parody!

Tickets for Stranger Sings are $37.00 and can be purchased here. They have already Sold Out a few performances so buy sooner rather than later. They run to October 26th!

October Theatre - It's all about the Scare Factor... Isn't it?

This October has quite a few cool options for those of you who like your theatre to have a Scare Factor! I must say, the Edmonton theatre community has really risen to the challenge this year! I was happy to catch 2 of them last week!

First up is A Party to Murder at Walterdale Theatre. I quite enjoyed the unwrapping of this Agatha Christie inspired story. It's a layered story and things are not as they seem, and it channels elements of And Then There Were None, but with a more modern take.  I was reminded a bit of Knives Out in that not everyone is who they seem to be. The twists and turns really start coming in the second act and it appears that everyone has a motive for murder, but just who did it is the question. Lots of laughs in this show too, mostly from the deadpan delivery of Erwin Veugelers as former football player, Willy. The whole cast is tight and you can tell that everyone is keeping secrets. When the whole thing spills out you'll be replaying earlier moments to see what you missed!  There's some great stage violence and a bit of blood, for those who like that, and a real sense of 'what will happen next?' at the end. It runs from October 9-19 with tickets running between $20-$30.  The show is directed by Sarah Spicer and features a top-notch cast of 6! Tickets can be purchased here. 

Teatro Live! is presenting The Woman in Black running from October 10-27 with tickets running between $25-$42. In Edwardian London, a young actor helps a lawyer make sense of a long ago encounter with a mysterious apparition who invariably leaves death in her wake. Together the two men conjure the mysterious marshland of northeastern England and its population of haunted characters. The show features Julien Arnold and Geoffrey Simon Brown and is directed by Andrew Ritchie.  This show was excellently executed with jump scares eliciting screams from the audience. The woman in black appears suddenly and in a disturbing way more than once - the magic created by superb lighting.  Ritchie has directed a terrific piece of theatre  that moves (once you get past the first 15 minutes which set up the convention of telling the story). The world is created in a old empty theatre, but it is not hard to imagine that various locations from the busy London street, to the train ride, to the haunted house in question. Even the house itself is simply but powerfully created from a scrim and boxes and a door. A chest becomes a desk and through the power of expert storytelling, we believe it. The inevitability of the horrible ending creates an anguished anticipation and a hope that all will be well with our loved ones too! Tickets can be purchased here. 

There are other shows coming up with a high creepy factor too:

A new company, Putrid Brat, presents The Maids by Jean Genet. Two young women toiling in servitude escape into sensual fantasies of luxury, violence and revenge in Jean Genet’s masterpiece. Loosely based on the notorious and shocking case of the Papin sisters who murdered their employer’s wife and daughter, The Maids explores the line where fantasy and reality blur and the stories we weave become indistinguishable from the truth. The show runs October 24-Nov 3 and tickets are $21.69 with options for PWYC. Tickets can be purchased here. 

Stranger Sings! The Parody Musical is a hilarious ‘upside down’ take on the hit Netflix series – and all its campy 1980s glory. Mike, Eleven, Lucas, Dustin, and the whole Hawkins gang have a night of adventure, thrills, pubescent angst, heavy synth, poor parenting, convoluted love triangles, cheap effects, dancing monsters, and maybe, just maybe justice for everyone’s favorite missing ginger, Barb Holland. The show runs from October 18-26 at the Backstage Theatre. Tickets are $30-40 and can be purchased here. They are selling fast, so move quickly! 

Final Fringe Reflections! Wrapping it up with Dick Piston and Accidental Beach!

I had a lovely Fringe 2024. I hope everyone else did too! I did a rough calculation and over the 11 days (10 at the site watching shows and drinking in atmosphere) I saw 21 shows, had hundreds of conversations with friends and strangers, ate more than my share of mini-donuts, had my G.O.C., went to the Next Act three times, and walked over 85,000 steps! I spent less than $500 for all this entertainment and activity so that's definitely a WIN!  

On the final Sunday I spent my day laughing, catching two local comedies! It was a great day to end the Fringe!

Dick Piston Hotel Detective in Prague-Nosis - This was a super fun show where, just like the titular Dick Piston, you weren't always sure what was going on! But that was the fun of it. The cast of 5 (plus the many-hatted sign holder ASM) were fabulous as they attacked this very funny, clever script. No one is quit who they seem to be, except maybe Dick Piston, but he's very confused trying to solve a hotel guest's robbery. There's a hypnotist magician, a man with no pants, an international film star (famous in Europe) and a jewel thief - OR IS THERE?! It zigged and zagged with clever wordplay and flashbacks and a twist no one sees coming, especially Dick Piston! This was the first Fringe for Nachopals Theatre and they hit is out of the park! 

Accidental Beach - Recreating 'an almost perfect musical' that they improvised during the past season, the 11 O'clock Number folks from Grindstone Theatre served up sand and laughs with this one. It was hilarious and they embraced the spirit of recreation. It's got it's twists and turns and amazing songs and lots of laughs. It was held over at the Varscona and it wasn't hard to see why. Clearly inspired by Edmonton's accidental beach, the cast merge Baywatch with a Mafia movie and Lizard babies for a show that's impossible not to laugh at! It was a terrific way to end Find Your Fringe! 

It was a fun way to end the summer! See you next August!

Find Your Fringe! Saturday, August 24th - One Show Day!

So... funny story... I had it in my head that my show was at 12 noon. It was Sold Out and a Hot Ticket so I made sure that I was there by just after 11 am so I would be the first in line. So I'm there... waiting... and I find it curious that there is no one else there. Not just no audience members, but no cars in the lots, so I decide to check my ticket... OH! The show starts at 2 pm, NOT NOON. It's all good, I went and found myself breakfast and returned later closer to the actual show start time. I still was first in line but this time there were other people there too! The lesson is - ALWAYS REVIEW YOUR SPREADSHEET! Ha ha ha!

So, what did I see?

High School Musical - The Disney High School Musical and Descendants movies are my guilty (?) pleasure! And I always want to see what the phenomenal Uniform Theatre company is doing so this was a combination that felt like destiny! What a great show! The cast is outstanding in a triple threat way. I have to give a shout out to the Choreographer, Kelly Webber, for the fantastic work! The basketball work in that tiny space was awesome! Earlier in the week, a Fringe patron was telling me about the show and they were floored that the entire cast could sing so well! There are some pretty talented folks on that stage - in ALL THE ROLES! It was also fun to see Edmonton Theatre Legend, Linette Smith, onstage as she's usually directing but clearly she was the perfect choice to play the Drama Teacher! Kudos to all involved. This show Sold Out their entire run before Fringe even started. That's how good they are! 

Now my Fringe is almost done. Some of you will no doubt be taking in Holdovers to catch the shows you missed. HOLDOVERS

I'm off to See Dick Piston Hotel Detective in "Prague-Nosis" and Accidental Beach: A Previously Improvised Musical today to wrap up this year's Fringe Adventure! Happy Fringing Everyone! Until next year!

Friday Fun at the Fringe - For Science! and Satan Does a Cabaret!

We're getting near the end of the Festival, but I saved some good ones for this weekend!

For Science! - I finally made it to the show! It's been on my list for a few Fringes and I have never been able to fit it in, but it worked this year - YAY! It was so much fun! A show that is indeed for all ages but is clever and smart and sciencey (so you know I like that!). The kids have a great time and the adults have a great time. I'd go again if they bring it back! I think their last show is this afternoon - so check it out if you can!

Satan Does a Cabaret - I had a lot of fun at this one. Rebecca Merkley is such a great performer and her voice is one that I can listen to forever. Although I knew more about the source material with Jesus Teaches Us Things, Satan Does a Cabaret is still very entertaining! Satan knows how to belt out the big songs and it was fun that the audience got to join in (in a variety of capacities). I had avoided learning the lyrics to W.A.P. in my life but that's done now! ha ha ha ha! Oooooh Satan! I guess that's what Satan does!

Tickets!