Last night after all the people went in for Opening Night of Clybourne Park, I took off to Tix on the Square to get a ticket for The Elevator Project. I missed it in the fall because I was out of town too much and too busy when I was in town, so I was glad to squeeze it in this cycle. I tried to start at the Tix elevator, but unfortunately it was having technical difficulties so it was not operational. So I headed off for the CN Tower. There was a long line up there so I boogied over to EPCOR and got in for that one, then back to the CN Tower, where I waited a bit for that one and then the long trek to CKUA and a wait for the third.
The three shows were very different. With a five minute piece, I don't actually want to say too much about them specifically because of spoilers, but overall it was a very interesting experience. I was worried in the first one because as I stood in the tight space my mild claustrophobia started to bubble up, but the brevity of the pieces made it okay. It's very intense to be 'right there' while an intimate conversation happens in front of you. I went through weird thought processes about how I should be personally engaging. Do I laugh? Do I look at them? Do we clap at the end? I wavered between elevator etiquette and theatre etiquette. It was very, very interesting. Like Shoot, Get Treasure, Repeat (which I saw at Fringe a few years ago), this was a theatrical experience greatly affected by the space. The elevator has it's own rules about intimacy and eye-contact. Breaking those rules to watch the show produced a myriad of emotional reactions in me. One of my friends said she had to watch a show sideways because she found she could not stand in the elevator without facing the front. She tried to turn and watch, but had to turn front because standing sideways just felt wrong. Our patterns of interacting with a space like an elevator are conditioned and when we break those conditions it affects us.
I think it would have been better if I had gone with a friend (although I did bump into a couple of people I knew), because I think part of the experience would have been enhanced by a post play conversation and the wait at some sites was long as they could only have so many people in the elevator at a time. Having someone to pass that time with would have been nice. Also, it's a bit of a hike from site to site and that is nicer to do with a companion. I did have no trouble getting in my daily steps on my fitbit! Theatre as exercise! You have to love that. I would recommend dressing warm. I should have worn a hat and maybe a better scarf as I was not dressed as well as I should have been. You should also plan for 2 hours of time. It might take less, but that will depend on how many other people are out for the adventure.
I write about a lot of things... mostly my life, my kids, what bugs me and, of course, THEATRE...
Showing posts with label Elevator Project. Show all posts
Showing posts with label Elevator Project. Show all posts
Friday, January 31, 2014
Sunday, January 26, 2014
First Exposure to Hawksley... Late to the party, but drinking the punch!
Last night my husband and I took in closing night of The God That Comes, the one man show by Hawksley Workman at the Citadel Club. I will be honest, I know there were a lot of people going because it was Hawksley Workman and they have been long-time fans, but I was going because I had heard about the show from the Calgary theatre season last year. I had never really heard Hawksley before (other than maybe a couple of times on the radio - but I couldn't swear to it). Since the show opened last week I had heard great things both at work and via twitter and FB so I was very anxious to see it. I was also looking forward to the bottle of wine that came with the VIP table I had purchased way back in August! Anyhow, last night was really cool. A re-telling of the Bacchae in a way that was very sexy, humorous, and musically compelling. It was laugh out loud and so clever and Hawksley Workman's story-telling with music was always invested and engaging. What a great night. Very happy that the VIP Table came with 2 CDs and we already opened one to listen to on the drive home. I plan to look into some more of his music...This was not my only theatrical adventure this weekend, on Friday I took in the dress rehearsal for Clybourne Park at the Citadel. I laughed (a lot) and a cried (curse you guys for hitting me in the heart!). So good and I can't wait to see it again with a packed house! I can't say how much I love this script and this cast and production feel just spot on. It's so honest and true to life and so very funny and it's safe to laugh at the things you wouldn't if you were actually in the room. In this world of political correctness and "us and them" it's so incredibly relevant.
This week I want to catch The Bronte Burlesque and The Elevator Project, and we open Clybourne Park, so it's going to be a busy one!
Tuesday, October 15, 2013
Theatre Yes - The National Elevator Project
Theatre Yes presents the National Elevator Project
Call for Volunteers:
Additionally - Theatre Yes is seeking volunteers to help with the FOH for this project. The tasks are very easy: Opening doors for people with tickets and Asking people to wait a few minutes if they arrive at the elevator and we are mid-show.
If you are interested in volunteering contact Joan Wyatt at jaj.wyatt@gmail.com
They have shifts from 7-9:30 Wed –Sun AND 1:30-4:00PM on Saturday and Sunday.
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What can happen in an elevator? Absolutely anything!
OCTOBER 16 - 27, 2013 At Various Downtown Edmonton Locations Starting @ Tix on the Square, Sir Winston Churchill Square, 9930 – 102 Ave Theatre Yes’s National Elevator Project features short plays written for and performed in working elevators. Theatre Yes has arranged commissions for noted Canadian Playwrights from across the country to write very short plays (5 minutes and under) that explore the ritual of the elevator ride. The plays require audiences to enter elevators with the actors for one-of-a-kind, unforgettable performance experiences. Theatres and Arts Organizations involved: Eastern Front Theatre (NS), Artistic Fraud of Newfoundland (NL), Mulgrave Road Theatre (NS), Playwright’s Atlantic Resource Centre (NS), Magnetic North Theatre Festival (ON), Imago Theatre (QC), Nightswimming Theatre (ON), Persephone Theatre (SK), L’Unithéâtre (AB), Ghost River Theatre (AB), Workshop West Theatre (AB), The Canadian Centre for Theatre Creation (AB), Shadow Theatre (AB), Rumble Productions (BC). You will start at Tix on the Square, Sir Winston Churchill Square (9930 – 102 Ave), where you will be given a map and directions to each elevator. From there you will make your way to the location of each play in your own time. Plays are approximately five minutes in length and will be available on demand during each 2-hour performance window. SHOW TIMES Oct 16 (Preview) Oct 17th -27th Shows available between nightly 7:30-9:30 pm. Matinees Oct 19, 20, 26 and 27 at 2PM-4 pm No Show on Monday Oct 21 TICKETS Available at Tix on the Square or At The Door (Cash Only) Preview $15.00 (Everyone) Adult $25.00 Student/Senior/Artist $17.00 Pass $35.00 —See the plays over three performance times of your choice during the run Pay-What-You-Can @ The Door Tuesday Oct 22 — Does not include three night passes ARTISTS & ARTISTIC TEAM Directed by Heather Inglis Co-curated by Melissa Thingelstad Designed by Brian Bast FEATURING Mark Anderako, Candace Berlinguette, Lora Brovold Lee Boyes, Patricia Cerra Jason Chinn, Ellen Chorley, Murray Cullen, Eva Foote, David Horak, Lana Hughes, Cole Humeny, Sharla Matkin, Nancy McAlear, Troy O’Donnell, Niko Ouellette, Andrew Ritchie, Isabelle Rousseau, Morgan Smith, Ben Stevens, Caley Suliak, Melissa Thingelstad, Fred Zbryski Stage Managed by Betty Hushlak Assistant Stage Manager Joan Wyatt Assistant Director/Producer Brooke Leifso |
Call for Volunteers:
Additionally - Theatre Yes is seeking volunteers to help with the FOH for this project. The tasks are very easy: Opening doors for people with tickets and Asking people to wait a few minutes if they arrive at the elevator and we are mid-show.
If you are interested in volunteering contact Joan Wyatt at jaj.wyatt@gmail.com
They have shifts from 7-9:30 Wed –Sun AND 1:30-4:00PM on Saturday and Sunday.
Tuesday, January 29, 2013
So This is Cool...
NATIONAL ELEVATOR PROJECT
Feb 1st, 2nd, 3rd at the Canoe FestivalWhat can happen in an elevator? Absolutely anything!
Catch a sneak peak of Theatre Yes’s National Elevator Project featuring short plays written for, and performed in, working elevators. Don’t miss this teaser of the 3-very-short plays to be included in Theatre Yes’s one-of-a-kind performance project featuring a series of brand-new, site-specific works penned by writers from across the country. Each mini-play (under 5 minutes) asks audiences to enter and ride elevators with actors making each performance an unforgettable theatre adventure. All aboard!
Theatre Yes is pleased to present workshop productions of three plays in the series commissioned by Workshop West Theatre:
Come by each venue anytime between 7:00PM-8:30PM to that evenings play.
Feb 1st 7:00-8:30 PM
LOVE IN AN ELEVATOR by Melissa Thingelstad
Harcourt House Gallery, 10215-112 Street
Feb 2nd 7:00-8:30 PM
CARGO / IMMIGRATION By Greg MacArthur
City Market Building, 9662 101A Ave (South Entrance)
Feb 3rd 7:00-8:30 PM
I LOVE YOUR HAIR AND OTHER CONVERSATIONS by Jason Chinn
Arts Hub 118, 11731- 93 St. (West Entrance)
Admission free/by donation
Watch for the full series in the 2013-2014 season.
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