Playworks Ink... A Writing Retreat in the Mountains...

A few weekends ago I spent the weekend in Banff at the Banff Centre for the Arts participating in Playworks Ink.  It was glorious.  Playworks Ink is offered every two years in the fall in coordinated by Theatre Alberta and Alberta Playwright's Network.  It is similar to Dramaworks, which is held in alternate years in the summer.  Playworks Ink, however, has a little more focus on play writing with staged readings and more play writing based workshops.  I took Facing the Re-Write with Robert O'Hara which I felt would be a good fit since I have so many scripts on the go in various drafts. I decided to bring a scene from Little Monsters, which I started two years previously at Playworks Ink in a session facilitated by Daniel MacIvor.  I had been feeling a little stalled with it, so I thought this would be a chance to kick it into gear. To some degree, it was the right workshop.  I was exhausted, however, after my long and busy September so what this weekend actually did for me was point out where I need to go and why I was stalled.  So while I didn't get a terrific about of writing done, I got some important writing done.  I also got a list of about 20 things I can do to jump start the process if I am stuck.  I can also use these with other people when I am helping them.  Some fabulous tools

I wish I had been able to write more, but that's okay.  I did feel that the move to Banff was perfect.  There were also so many other things that made the weekend work well.  With all of us in the same place, we didn't all scatter at night to go for supper with just those people we knew.  We all ate together and my roomie AM and I made an effort to sit with different people at different tables for each meal so that we would meet more people. That was pretty cool.  There was a real feeling of us all being at the same level, so while the people stretched from Newbie to Professional, there were no lines. It was also the best food.  I could probably write a whole blog post about the bacon... It was also beautiful and I love that mountain air!  Other events were great for us to share in - We got two experiences with Christopher Plummer (my new boyfriend) - one was a smaller group interview about his life and career and the other was a Gala evening with him doing Shakespeare off set by an orchestra playing music that had been inspired by Shakespeare.  They were both wonderful events, but I was so happy for the interview as I felt we really got to meet Mr. Plummer and he even seemed to be flirting with us a little. Another terrific event was a Trivia Contest and I had so much fun with that.  It was theatre based with a special focus on Alberta and Canadian theatre with a chunk of musical theatre thrown in.  How could I not love that? Our team came in second and I am good with that, although I think other people on my team felt we should've won.  It was all for fun so it is alright with me.

I really hope that Playworks Ink returns to Banff.  It felt ideal and I would love to go back with a calmer brain and a little more rested.  I could see me writing a lot there!

This is What Happens Next... I spend a day with Daniel MacIvor...

Last weekend I journeyed south to Calgary for Playworks Ink (you can read about that weekend in my previous post). The whole weekend was wonderful, but Saturday I got to spend the day with Daniel MacIvor and that was indeed a great day for me. There were a lot of other people there, but still, it was good.

Who is Daniel MacIvor? Well, if you know anything about Canadian Theatre - you know. He is one of the most prolific and most successful Canadian theatre playwrights we have. "We" - it's nice to have ownership of him, isn't it? His plays vary from multi-cast pieces like Marion Bridge, A Beautiful View and This is a Play to his solo-shows like Monster, Cul-de-sac and his upcoming This is What Happens Next.

The day played out as follows:

The Session - Play Finding
Eleven of us were lucky enough to take this session with Daniel. We walk into the room and meet Daniel and Buddy, Daniel's incredibly well-behaved and occasionally focus-stealing dog. First, each of us has a getting-to-know you conversation with Daniel. He talks to us about our goals, our past projects and then he reads our writing - aloud. Then he deals with us, one by one, talking about what is in our writing, where it could go, he ask questions, he makes statements, he makes us each think about what we want to do with it. Then Homework - over lunch we each get an individualized assignment to complete. The task is daunting, impossible, challenging and thrilling - "Yes! That is exactly what I need to do! How come I didn't know?!" - is what goes through my brain. We come back and share what we have done. For some of us it is a monologue or a scene. Others are tasked with writing a synopsis, character list & a scene. Each gets what they need. He does not leave it there. After he hears our homework he gives further questions for us to think about where to go next and then he has us set a deadline for the completion of a first draft. All in one day. I leave with the beginning of a play I didn't even know I needed to write. It might not sound like much, but there is something compelling in what he talks to each of us about. We all talk about wanting to go to Banff in February to complete the 3 day workshop with Daniel.

The Keynote - The Artificial Authentic
Please note - Theatre Alberta or APN will often publish the Playworks Ink Keynote in it's entirety - herein I just scratch the surface.

What I take away from this keynote is summed up as follows:
- Theatre is bigger than us - We are not the theatre. Ego = Death of the Authentic.
- Theatre is context for being - it is a place for communion and transformation (we should be seeking to connect as theatre artists - to allow the audience true moments of communion and transformation). This is opposed to observation and appreciation. We should be aiming for connection - not just entertainment.
- There is a difference between criticism and judgement. Trust instinct not taste. Enough is not enough - the audience is enough.
- And the most important Questions are: Why Bother? and Who cares?



The Upcoming Show - This is What Happens Next


MacIvor speaks to the production upcoming. He talks about his vowing not to do another solo show and then needing to do the show after coming through the challenging events of his life. He sought to leave theatre for a while, feeling that all he was doing was making things up and pretending and then discovering that once he left, got married and tried to live a 'normal' life - that everyone was pretending but they were just not being honest about it. So he reversed his earlier decision and worked once again with his long time collaborator Daniel Brooks. Brooks helped him take something that was very dark in his life and lift it into lightness. I ask about being authentic when everyone is pretending. How is that possible? He says it is the attempt to be authentic on stage that what counts. To find that moment of communion or at least to seek it.

I know why I am going to see this show. I have spent the day with Daniel MacIvor. His charisma is undeniable. His keynote is inspirational. If he is that compelling giving a keynote speech, I can only imagine what seeing him onstage in one of his shows will be like. The session on play-finding demonstrated his generosity of spirit in art. I missed seeing him in Cul-de-Sac a few years ago at La Cite - my friends rave about it and the complexity of the performance and the sense of place and story that permeated the one man show. I too have had those moments of 'where is my life going now' and that fascinates me. I have many reasons to go. I ask MacIvor why Edmonton audiences should go - if those reasons about are not enough, and he says, "I think that the show appeals to many people on many levels. For anyone who is interested in storytelling - which seems to be most people - the show looks at the pros and cons of what it means to live in a world where our whole lives are made of stories. And for those who might have some understanding of or interest in how people survive dysfunction and addiction, there is a level they will get that others might not. And who doesn't like a hands-down, no-holds-barred happy ending? And did I mention that it's funny?" Good enough for me.



The Citadel Theatre presents Necessary Angel's production of
This is What Happens Next
A scary comic fairy tale
Created by DANIEL MacIVOR and DANIEL BROOKS
Written and Performed by DANIEL MacIVOR
Directed and Dramaturged by DANIEL BROOKS
November 12 – December 4/11
in the Rice Theatre


https://tickets.citadeltheatre.com/TheatreManager/1/online

Recharging the Creative Battery - Playworks Ink

This past weekend I had the wonderful experience of partaking in Playworks Ink, a drama conference with a particular focus on playwrighting as well as other theatre related skills. There were sessions directly related to playwrighting as well as movement, breath control, directing, and (from what I heard) a phenomenal workshop where you could learn the Catalyst Theatre process from the inside. This conference is run by Theatre Alberta and Alberta Playwright's Network and they managed to bring in world-class instructors who worked with the many participants of backgrounds ranging from enthusiasts, to drama educators, to emerging professionals to full-fledged professionals. I cannot speak to anyone else's experience but mine was fantastic and everything I needed to get me recharged.

My first session was with Karen Hines and in a jam-packed session on Friday afternoon I discovered 2 major things that will help me with my in-process script Girls in White Dresses. The activities she taught us are also ones that I can take and use again with the same script and others. Very valuable.

I spent all of Saturday with Daniel MacIvor. His session, Play Finding, was individualized. He worked with the 11 of us to pull out the best of what we had and push us on to the next step and for me, the next 2 or 3 steps. I have a new play to work on now from that. This session has me desperately trying to figure out how I can do his 3 day workshop in Banff in February. I'll be talking more about MacIvor this week. I got to interview him for this Blog about his upcoming show, This is What Happens Next, that opens at the Citadel this weekend. He also delivered a Keynote that spoke to theatre in a way that was refreshing and enlightening. A generous instructor, a charismatic speaker, and a thoughtful thinker - I cannot wait to see his show.

Sunday was the last of my three sessions. I got the low-down on how to market my work from Ken Cameron. For me this was the most scary workshop and perhaps the most valuable. I am not scared to delve deep for my work, but have me talk about it to a potential producer and I freeze up. I have a plan now and hopefully this will help me face me fears.

A wonderful weekend. It's every 2 years - which is a financial necessity for the organization, but I could go twice a year if it was possible!

What Do I Want to Be When I Grow Up?

The last few weeks have felt very strange to me. I have been sick, that hasn't helped, but I have also been in a weird kind of funk about what my focus is right now. Because the last two years I had a purpose and artistic vision through Walterdale, now that my term as AD is complete I am realizing I need to find that same kind of purpose for my own life, but I am not sure how. I know I need to really focus on my writing, but I am not spending the time I should on that. There are other personal things I need to be doing with regards to my health, but I am not spending the time I should on that, either (being sick has not helped there). I feel stretched thin with my kids - trying to encourage them and help them and get them to practices and the like, but I feel like I am not doing that well. I must admit a bit of regret for the basketball because its irregularity upsets my sense of planning and scheduling, but I see it's potential for good things for both my boys. I do regret that I haven't found a way to fit in piano yet...

I know I need to sit down with myself and figure this out. A few more weeks feeling like this and I am going to lose it. I am looking forward to Playworks Ink and hoping that weekend time will provide some clarity for me. I even bought a few more colours of highlighters to help me organize my day timer in case that is what I need. I am worried, because there have been a few opportunities come my way that I had to pass on because they didn't feel right, but I worry that I will stop getting offers if I keep saying no. On the one hand, I do not want to be volunteering my time for something I do not want to do 100%, but on the other hand I do not want to miss out on fabulous experiences. I wish I could just roll a die and make my choices that way...

So Much for a Lull...

Well, I have been saying that there is a lull in my theatre life between September and April (basically between A Little Night Music and Nine), however, I have managed to fill some of that time up this week. In addition to working a couple of casinos (Shadow Theatre and Theatre Yes) I also auditioned for the Drama 483 midterms and was cast in one of them, as well, I interviewed for and received an offer to direct for New Works at the U of A. The 483 scene is for the play Mrs. Packard. I do not know which role I will be playing at this point. I will find out Sunday. And the New Works script is also a mystery. I have my fingers crossed for one in particular but will be happy to work on whatever they want me to! I am excited. I think I should pause now before auditioning for anything else. At this point the time is filling up. Since I am also Master Painter for Wyrd Sisters at Walterdale I am running out of free time. But it is parcelled out nicely.

I also wanted to mentioned I am working on a scene from Marion Bridge by Daniel MacIvor for my Drama 257 scene. This makes me happy as I really connect to the writing and the characters in the piece. I only wish we were presenting after Playworks Ink when the experience of actually hearing MacIvor speak would potentially enrich the project.

Normal for me is always changing...

No really, it is. I move from project to project so it's always a little bit different for me. Fringe is done for now but that didn't stop me from going and seeing one of the holdovers (Giant Invisible Robot) with a friend this week. Actually that was the first time I have ever gone to a Fringe Holdover. Usually I am too exhausted to partake. The show was good - would have liked to have seen it in a smaller venue for the sake of intimacy (it was a one man show), but it was good. You could tell the guy had mucho Improv background.

Now I am knee deep in A Little Night Music. We incorporated Elizabeth into the show today. She did amazingly well! I think I called line as many times as she did! Really, the lines are perfect in my car when I run them... they will come... now we have a more focused and intensive rehearsal period before we open so it will all come. We did a Sitz Probe on Wednesday night and it was lovely to sing with an orchestra again (after so long...). I am really happy with this production. I like everyone in the cast and the play and music are so good.

Today I read about a contemporary deciding to quit their job because of the success and fun of her Fringe experience. These things worry me. I know they shouldn't worry me personally - it's not my life... but a Fringe show does not a career make. You have to pay the rent... don't you? It would be nice if life could be fun like theatre is all the time, but a fun life seems like a shallow existence. Who is paying the bills? The taxes? I have known others who have done this over the years to varying degrees of success... I know it is their life... but I worry about their children and spouses and the fact that while some of them had some talent, they weren't necessarily tremendously talented. Mark occasionally asks about my goals... I just want to create and tell stories. If I am fortunate enough to be compensated for it - then that's a bonus. It's too fragile a world for me to stop the work I do for the store and my family for it. All I can do is to try to do it better. On that note - I am excited to be going to Playworks Ink this fall - Daniel MacIvor will be there!